Foo Fighters to Headline Glastonbury Festival

The Foos are the second act confirmed to this June's fest, joining the previously announced Lionel Richie.
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DJ Quik: ‘Flamboyant? Every Now And Then’

After 24 years in the music business, the producer and rapper from Compton, Calif., knows what’s going on. He told Microphone Check studio secrets, a Rick James story, and all about the funk.

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Jimmy Page Reflects On 40 Years Of Led Zeppelin’s ‘Physical Graffiti’

The guitarist shares memories of making Led Zeppelin’s monumental double album and talks about some of the artists who have changed his life over the years.

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Music industry moves to Friday global album release

Key groups representing music retailers, record companies and artists said that they would coordinate album releases to go out everywhere each Friday at one minute past midnight local timeThe music industry has announced an agreement to release albums globally on Fridays, ending divergences among regions that have fueled piracy in an age of instant music. Thursday's decision, after nine months of consultation, is expected to go into effect by summer in the Northern Hemisphere, said Frances Moore, chief executive officer of the music industry's global body IFPI. "What is absolutely clear is that there is nearly unanimous agreement that a global release date is a good thing," Moore told AFP. Under longstanding traditions, albums are generally released on Monday in Britain and France, Tuesday in the United States, Wednesday in Japan and Friday in Australia and Germany.



Music News Headlines – Yahoo News

‘Clueless’ Soundtrack Set for 20th Anniversary Vinyl Reissue

As if the Clueless soundtrack could get any more classic than a house with columns dating back to 1972, the alt-pop heavy compilation will get a fresh vinyl makeover to celebrate the film’s 20th anniversary, Entertainment Weekly reports.

The LP will be re-released on April 7th via Universal Music, and — with a hat tip to Cher…
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Celebrity Hairstylist Kim Kimble Shares Her Secret Styling Tips for the Sleek Hair Look

Doutzen Kroes With Badge ThumbWhether pulled back in a tight low pony or simply kept down and slicked away from the face, ultra-sleek hair owned the Oscars. And while it may look as if such sculptural feats require a team of…


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Watch This Man Fart Into A Microphone For $225

Watch a man fart into a microphone — for $ 225 — on MTV’s “Broke A$ $ Game Show.”
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Taylor Swift ‘Confused & Scared’ About the ‘Odd Dress Debate’

There’s a debate going on right now about the color of a dress and it’s threatening to break the Internet. So Taylor Swift has stepped up…
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Lupita Nyong’o’s $150,000 Oscar Dress Has Been Stolen!

Oh no! Someone has stolen the pearl-encrusted Calvin Klein Collection dress Lupita Nyong'o wore to Sunday's Oscars. ABC News has that the dress was taken from her Los Angeles hotel room on Wednesday when…







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Prada Fall 2015 RTW Backstage

Prada fall 2015 backstage

The post Prada Fall 2015 RTW Backstage appeared first on Vogue.

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What They Don’t Tell You About Wearing a Cast

Mine was surgery after a car accident, maybe for you it will be a broken leg, or another type of surgery. After you leave the hospital hobbling out on the crutches you life will change, at least temporarily.
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Allow me to share what I have learned.

1. You will finally find a use for all those single socks.
you know the ones left after doing laundry that pile that have no pair. You kept them hoping their mate would show up someday, like when you finally sweep under the bed. Those socks can save you now.

2. Putting on your underwear may be the hardest thing you do all day. Boxers, or boxer briefs in my case. Matching the tip of the toe of the cast to the hole in the leg, may take a while. You will be flat on your back and flailing around in the process.

3. You may need help getting the underwear on. I decided to continue exercising and the handicapped shower was my savior, but getting dressed in the locker room after; a bit on the mortifying side. Forget the towel dance. You will eschew shame or embarrassment and if you are lying on a bench, legs flailing about attempting to get that underwear on and someone comes by and says, “Hold still, let me help.” hold still and say thank you.

I am finding that my difficulty brings out the best in others. Guys load my weights, help me up, and yes help with underwear and shoe tying.

4. New York bus drivers will be your best friends. The subway is a nightmare, the elevators seem to be always broken and you will have one hell of a time getting a door open to get to the train. However the bus will be bliss. The drivers patiently wait til you are on, they make sure you get a seat, even to the point of getting up and telling a nanny and her two entitled charges to ‘Get the ____ out of the handicapped seats.’ I love New York City bus drivers.

5. Your crutches will always fall on the floor. No matter how well you think you propped them up they will fall on the floor. Your life will be spent picking up crutches or looking helpless as someone else picks them up for you.

6. Despite it all you will do will do what you need to do. I have been in the kitchen cooking and dealing with the work needed to open a new place, I have gone to the gym, gone shopping, cooked my own dinner and even up on occasion put on my own underwear.

…and some day the cast will come off.

I am hoping today is that day.
Comedy – The Huffington Post
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E! Calls Report About Kardashians’ $100 Million Deal ‘Grossly Inaccurate’

A rep for E! told HuffPost Entertainment that reports the Kardashians signed a four-year, $ 100 million deal with the network are “grossly inaccurate.”

On Thursday, Page Six claimed sources had confirmed Kris Jenner inked a “record-breaking” deal for herself and daughters Kourtney, Kim and Khloe Kardashian, as well as Kendall and Kylie Jenner. Kris’s ex-husband, Bruce Jenner, was reportedly not included in the contract’s new terms. (Jenner is apparently leaving “Keeping Up With The Kardashians” after 10th season so the network can build a show around the former Olympian.)

Page Six’s source told the paper, “You’ll be seeing a lot more of the Kardashian family. This is a huge deal, which will see their involvement with the network and its digital properties expand well into the future.”

The last time the family resigned their contracts with E!, it was a three-season deal worth a reported $ 40 million in 2012. At the time, the deal made them the highest-paid reality TV stars in the world.

While the network is denying the details of their new contract, it would be in their best interest to hold onto the family. Combined they have more than 79 million Twitter followers and 103 million Instagram followers. Kim Kardashian is a constant media presence, whether she poses nude or cuts her hair. Meanwhile, Kardashian’s sisters are also frequent tabloid fixtures: Kendall Jenner’s modeling career has exploded (she recently became the face of Estée Lauder cosmetics), while Kendall and Kylie Jenner even made Time magazine’s list of the most influential teens of 2014.

“They need you! Y’all are the personalities, E! needs y’all!” Kanye West, Kim’s husband, said after the Grammys earlier this month. “The Kardashians have a percentage of E! That’s what I’m saying, they need y’all!” Who are we argue with Yeezus?

Style – The Huffington Post
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Blur Reveal New Album Coming This Spring

Surprise! After 12 years of studio album silence, Blur revealed they're releasing a new album this spring!
News, reviews, interviews and more for top artists and albums – MSN Music
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‘We Need Her': At The Super Bowl, Missy Elliott’s Incredible Return

The rapper and producer hasn’t released an album of new songs since 2005, but on Sunday night her old hits were more than enough.

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Phil And Dave Alvin On World Cafe

Hear and see an LA concert featuring the reunited brothers from The Blasters.

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Epic Celebrity Falls: Music Edition

Madonna falls as she performs on stage for the BRIT Awards 2015 at The O2 Arena on February 25, 2015 in London -- Getty ImagesMadonna took a hard tumble at the BRIT Awards (we feel for ya girl) and we couldn’t help but take a look back at some of the best spills, tumbles and trips in music.



Music News Headlines – Yahoo News

Streaming Music Companies Battle for International Ears

As on-demand music-streaming services such as Spotify, Deezer and Rdio gouge each other’s eyes out to reach the most possible American customers, they’ve also expanded their battlegrounds throughout the world. Deezer is in 180 countries; Spotify counts more than 50. And it’s not as if they can open a local…
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This Dress Debate Is Causing a Serious Divide in Our Nation: Is It White and Gold or Blue and Black?!

White and Gold Leaf DressWhite and gold or blue and black? That is the question.

One simple dress has erupted a nationwide discussion in what might be the Internet’s greatest debate of our time, and it all…


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To You, Erma, Sister of Mine

Last week, when my birthday rolled around I reflected once again how nice it has been to share the day with one of America’s great humorists.

At the time of her death, every print and broadcast outlet in the country ran a tribute to Erma Bombeck, the homemaker from Dayton who one day sat down and began sending out dispatches from the front lines of motherhood. The dispatches grew into a column syndicated to over 900 newspapers, and then into some 15 books, including the hilariously titled The Grass is Always Greener Over the Septic Tank.

But, as uniformly fond as these tributes were, as I reread them online now, and many of them read as slightly dismissive, framing her almost as a clever dabbler, or a suburban mom who started writing columns as a lark.

As if any writer doing a thing “as a lark” could produce the tightly-crafted sketches she was known for. As if anyone tossing something off in the odd half hour could describe the child-rearing game the way she did.

She wrote in one column that she once lived in a place so small she had to iron in the baby’s playpen.

She wrote in another that if her kids had looked as good as the kids of her perfect neighbor, she would have sold them.

She spoke about the child who could “eat yellow snow; kiss the dog on the lips; chew gum that he found in the ash tray, but wouldn’t drink from his brother’s glass.”

And then there was the column where she imagined how each of her three kids might someday recall her:

Her first-born would think of her as: “The slim dark-haired mom who used to read me stories and paste my baby pictures in the album.”

Her second-born would picture: “The somber-looking bleached blonde who used to put me to bed at 6:30, and bought me a dog to save on napkins.”

And the baby of the family, she wrote, would remember her as: “The grayish lady who fell asleep during the six o’clock news, and was GOING to display my baby pictures, as soon as she took the rest of the roll — at my wedding.”

She had just that light way of describing time’s effect on us all.

But funny as she was, she always told the truth.

She spoke of the feeling that comes to women raising kids in the then-newly fashionable “nuclear family,” where a man, a woman and their children went off and lived on their own, sometimes far from all kin.

Her commentary on this new arrangement: “No one talked about it, but everyone knew what it was. It was a condition, and it came with the territory.”

She called that condition loneliness.

I learned about this loneliness when I left my job teaching to care for my own small children.

In their baby years, I would stuff them into coats and snowsuits and push, or walk or carry them — somewhere — anywhere I might find another woman in another house trying to do the hardest job on earth all by herself.

But, when those babies napped?

When they napped, I’d kick the toys under the couch and begin to read and read, looking for something I could not name — until one day in my daily paper, I met the writer who would show me what I most wanted to do in life.

Erma wrote a column every week for 32 years.

By now, I have been writing one for 35 years — and with every passing birthday, I think what a privilege it has been to follow in her footsteps, recording real life and celebrating its vicissitudes.
Comedy – The Huffington Post
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Baby’s ‘Doctor Who’ Stroller Is Every Sci-Fi Lover’s Dream

At this month’s “Doctor Who” convention Gallifrey One, some sci-fi-loving parents took nerdy creativity to a new level.

Convention-goer Robert Chan snapped this picture of 4-month-old Vin Meyer in a stroller designed to make him look like a Kaled mutant inside a Dalek travel machine — a nod to some of the most iconic characters on “Doctor Who.”

baby dalek caan

Baby Vin‘s mom and dad Crystal and Will Meyer were overwhelmed by the response to their son’s stroller. “We couldn’t get very far on the convention floor without being surrounded by people wanting to take pictures,” Crystal told The Huffington Post, adding, “They were genuinely really, really pleased.”

dalek

Dad Will said it took him roughly two weeks to construct the Dalek time machine around Vins’ stroller and sew the baby’s Kaled costume. The Meyers added that their top priority was to make sure that Vin was “very safe and comfy.”

Stealing the spotlight on the convention floor, Vin had a great time at his first Gallifrey One, Crystal said. “He loves people, so he was happy to be the center of attention.”

Baby Vin may only be a few months old, but it’s clear he’s already a true “Whovian.”

whovian

H/T Laughing Squid

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Style – The Huffington Post
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The Lagos Music Salon: Chats with Somi, Nir Felder and Cyrille Aimée, Plus Miska Shubaly and Isabel Rose Exclusives

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A Conversation with Somi

Mike Ragogna: Somi, after speaking to your Uncle Hugh Masekela, you decided that you wanted to go to Lagos, Nigeria, that trip inspiring your new album The Lagos Music Salon. Did you have any idea of what was going to happen after that or were you just going to Lagos for discovery?

Somi: I was definitely just going to discover. I had always been interested in seeing what it might be like to live and work on the African continent. How it might impact my lyrical and musical inspiration. It was really Uncle Hugh who gave me the courage and reminded me of the global citizenship of musicians. We shouldn’t overthink something in terms of a move, and then we start thinking of the logistics, the production, the finances. He said you can go and just decide to spend time with a part of your audience and a part of the world and then always come right back if and when you feel ready. I decided to stop talking about it and just go. I had this soft landing through the extension of a former graduate advisor of mine at New York University, a professor there by the name of Awam Ampka, who is also Nigerian and has been in the US for a number of years, now tenured at Tisch. He was starting an international artist residency program and I took him up on the offer to go for a minimum of 7 weeks. I used that time to kind of explore the city, the country and my heart to see if it seemed like the right place for me to be at that time. I decided once I got there that I would stay through the end of the following year. I moved there in September 2011 and the plan was to stay until December 2012. Once I was there, I stayed for 18 months until 2013.

MR: So you were deeply affected by and loved your trip.

Somi: I did, I really fell in love with Lagos. I went there with no agenda and just to see how it would inspire me.

MR: Your album is made up of sound snippets and original material that was inspired by your trip to Lagos. How did the music and the lyrics come together? What was your creative process?

Somi: It was a really organic process and I really wanted it to be that. Because I had no agenda, I decided to, at the very least, just capture the sounds and the energy of the city the best I could. I had this pocket digital recorder that I would take out whether I was at the airport, in the streets, in the club or with my friends and just try to document and archive a ‘sound diary’ of sorts. I wasn’t really clear about what music might come out of that. It started there and then I would journal quite a bit through my travels. I was really just reflecting on everyday experiences, whether they were tragic or magical. As a result, sometimes these reflections came out as songs with melodies and some of the chord structure. Other times they would just be ideas and then I went back later to try to develop it as a song. Coming to the concept of the salon really took me some time. I was there and probably 6 months in I started to have a little bit of a panic attack like “What did I just do? I left New York? Did I just throw my career in the toilet?” I wasn’t sure why I was there anymore, but then suddenly I saw a thread through the songs that I had written up to that point and realized that it was really about creating this room of conversation and having a chance to become intimate with the city of Lagos. I wanted to share that and tell the truth because Lagos always tells you the truth. In this way it was a really organic process and somewhat ethnographic. Also I was fortunate to meet a handful of wonderful musicians, the producer Cobhams Asuquo, and also a person that collaborated quite a bit, Ré Olunuga, a Nigerian artist who I met early on so that was a great opportunity. They both taught me a great deal about the local energy, music, culture and tradition of the scene.

MR: You mentioned “Lagos” in terms of “the truth.” Did you learn any new truths while you were there or maybe did some of the other truths you believed in previously, get shifted a bit?

Somi: Well, that is a fantastic question. I always say that Lagos is very much like New York in the sense that it is a hard city but if you show up for the city it has deeper rewards. It really can show up for you as well. If there is anything to take away, I learned about the privilege that I was given just by being born as an African women on U.S. soil and what that citizenship gives me. I found a deeper understanding of what it means for African artists who are born and raised on the continent with the limitations of resources, or visas, or immigration, then still manage to find themselves on the global, cultural stage. I think I just have a deeper respect for what it means to make it to that stage as an African artist. It was humbling in that way and allowed me not to take for granted some of the things that can easily be taken for granted when you are here in the West. But if anything, it taught me to always try to move outside my comfort zone. Maybe it was a reminder of that. We can all be reminded to challenge ourselves in new ways and explore other sides of ourselves and put ourselves in uncomfortable positions. For me, it allowed me to find a new way of telling stories and hopefully make the work stronger. I always want to take risks, be brave and be honest.

MR: With “Four African Women, ” it’s obvious you really did have to be there to understand not just intellectually but also emotionally, what was going on with these women.

Somi: Well, thank you for that. Interestingly enough there were two artists that I listened to while I was in Lagos. One of them being, Fela Kuti because its Fela and it gave me an understanding of his work; an understanding that Lagos is the only place that could actually create his sound. The other artist was Nina Simone. Something about her honesty, her raw beauty, her truth telling and her commitment to justice. All of these issues really seemed to mirror the honesty of Lagos and I wanted to celebrate her and pay her homage while also including some of my reflections of the plights of African women. This is not specifically about Nigeria, but it is a song about some of the issues women across the continent survive. I wanted to honor her in this way and it makes me really happy that you found some truth in that piece.

MR: Somi, “Two Dollar Day” reflects on a domestic worker you met during the Occupy Nigeria protests. Can you talk about that song and its creation? And how did you relate to the worker who was going through her ordeal?

Somi: I would watch it on the streets, seeing people protest, and when you have the opportunity to actually meet someone who is living the repercussions of changes it humanizes the story. I really just wanted to tell her story and to help relay the fact that there is humanity in those choices and that there is dignity in the people who live through that as well; dignity in those that are living on two dollars a day in a country that is still very wealthy but unfortunately these resources are not shared. It was about acknowledging the dignity of that woman and celebrating the people that took to the streets to recognize the power they hold and their impact. People often talk about Nigeria as a sleeping giant, and when you see it awaken in the streets in such a dynamic and popular way, it is very moving.

MR: How do you not get swept into the passion of it all, wanting to commit yourself on a full time basis to issues you become involved in?

Somi: I think as artists, we are committed. At least I would like to believe that I have committed in a full time way and every time I get on stage I’m telling the story. I always tell the story that led to that story. I try to participate in whatever way I can. The stage and the microphone are powerful things, so I am always honored to have the opportunity to bring light to these issues.

MR: In addition to the salon environments you were creating, you also were performing in Europe during this time. So you basically were bringing your experiences out to the world through your performances, educating and spreading the word on Lagos even before the release of the album,.

Somi: I really hope so. I was also playing in salons in Lagos because I really wanted to make sure the people of Nigeria were endorsing it. I am an East African woman and my family is originally from Rwanda and Uganda. There is always that idea of “are you really of this place? Can you really take ownership of this story and tell our story to the world without being exploitative or having a foreign lens?” That is what was so important about spending so much time there. Those salons in Lagos really allowed me to get a response from the Lagosian and gave me the confidence to go out into the world and share the stories. Hopefully the Nigerian audience is happy.

MR: Was this an eternal link that you have established with Lagos?

Somi: I would say so. I haven’t been to Lagos in several months but I miss it dearly. I am reminded of it every time I share this music. I’m hoping to be back within the next four months. It’s definitely one of my proudest moments in my journey to have just taken that time and taken that risk and to be given the gift that Lagos and the Nigerian people gave me.

MR: It seems the more people that talk about segmented issues occurring on the African continent, the more America and the rest of the world can be educated in Africa. I think we look at it as one giant land mass. We don’t really understand the cultural divisions, histories, and each country’s issues as well as we should.

Somi: Absolutely. I think right now it’s such an exciting time on the continent. The African voice is beginning to be heard in a different way and we are all beginning to appreciate those nuances. There is so much work that we need to do on the Western side of things in terms of understanding the subtleties, large and small, but it is also such an exciting time because for the first time, you are seeing more and more African artists actually participate on the global cultural stage and really tell their stories in an honest, authentic and exciting way. I am happy to contribute in whatever small way I can to really help people understand more about what the African experience is today.

MR: Somi, what advice do you have for new artists?

Somi: I would say probably that same that Uncle Hugh said. We should try to understand that we are global citizens. We should try to be of the world and tell stories of the world, for the world. Just be honest with our hearts and with those around us.

MR: After Lagos and visiting Europe, is there or any other location you’d like to visit for a project?

Somi: Absolutely! I definitely want to go to my homeland, East Africa. I have all sorts of things that I would like to share, think about and research in Uganda and Rwanda. One of the projects that I am working on in Europe is with Ibrahim Maalouf, a Lebanese trumpet player in Paris. We have been exploring the conversation between African and Arab jazz traditions and the role of women in the movements of the Arab spring. I am really interested in spending time in that part of the world and North Africa. The thing is, as an artist I’m in Los Angeles right now but there is always something that you can take away from a place. I definitely have my hotspots and things I am thinking about. We will see what happens.

MR: What was the culture shock like coming back to New York after 18 months in Lagos?

Somi: I think there a few different things. As difficult as it can be, it can also be idyllic. It can have tropical beauty and paradise and also a different appreciation. In other cities outside of the West, I feel that people have different sense of appreciation for balance. Its not just moving in the same way New York is. In African cities, I have more time to do the work while also having the time to enjoy living. It could’ve been the creative process that allowed me to be so still but I guess the biggest culture shock was not being so still.

Tour Dates
March 7 – The Painted Bride – Philadelphia, PA
March 8 – The Velvet Note – Atlanta, GA
March 9 – Blues Alley – Washington, DC
March 11 – Regatta Bar – Boston, MA
April 24 – Roulette – Brooklyn, NY

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MISHKA SHUBALY’S “YOUR PLUS ONE AT MY FUNERAL”

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photo courtesy Mishka Shubaly

According to Mishka Shubaly…

“Do I ever get depressed? Hoo boy, you bet I do. One reliable pick-me-up when I’m down is to imagine myself dead, snuggled into my cozy little coffin like a wooden sleeping bag, with lots of hot girls crying over me. With ‘Your Plus One At My Funeral,’ I manage to deflate even this sad, narcissistic little balloon by obsessing over an ex from beyond the grave, wondering who she’ll bring as her date to my funeral. Only years after writing this song did I realize that it holds the epiphany that finally made me stop drinking–I had become more afraid of my life than I was of my death.”

website: http://www.mishkashubaly.com

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A Conversation with Nir Felder

Mike Ragogna: Let’s talk about all things Golden Age, where historic speeches actually played a part in its creative process. Was the concept of Golden Age planned out or was it something that happened as it evolved?

Nir Felder: I didn’t really plan out the album from front to back as I was writing the music. But it was like, those themes are something that we’re dealing with in such a major way in this sort of political climate kind of musical climate, for basically the whole time I’ve been a professional musician. So this was stuff that’s with me and not something that just ended with the record. The narrative goes through basically my whole adult life. I started playing music as a teenager, and said this is what I want to do, it was when Napster came out–same exact time. The changes in the music industry, the changes in the U.S., the changes in New York City have been so profound over the course of my adult life and it was just what I was tuned in to. The Golden Age title is kind of more of a question than it is a statement. I’ve said that many times in interviews, but the record was written during a time that I was feeling very hopeful and now maybe things have panned out the way we could have hoped, or better, and other things have panned out not at all that way. It’s just food for thought.

MR: How would one pull off a “Golden Age” in the hostile political environment we’ve got now?

NF: Well, the whole point was that the golden age was something that was never actually there. You never think to yourself that you’re living in in a golden age, it’s just something that’s always in the distant past or the distant future. You have this kind of wheel that is spinning around and you’re always neither here nor there. That campaign was about pointing towards the future and him saying that it’s coming, come with me and I’ll take you there. There’s a certain naivety of buying into that but at the same time it is so human to want that to be the case. Every culture has that concept of a golden age, it’s just something innate in us that we do have this kind of optimism or in contrast, if we see it in the past it’s pessimism. But we all have this belief in something like that really being possible. It’s amazing and part of the human condition. Some of the stuff on the record, like the Mario Cuomo speech, who passed away this year, dealt with the rising inequality. That’s still a major issue that’s not being resolved and is looking like it’s getting worse. The fact that we address it and we talk about it and we think about it is a start. It’s better than nothing.

MR: It seems like everyone would want a golden age and all that implies, but do you ever really reach a golden age?

NF: No, you never do, but you try. Something about it in the music itself and what I chose to put in the final product dealt with ambiguity. I never released a transcript of what the voices were saying, and I purposefully had them at some points muffled. I want people to be able to interpret it however they see fit. It was amazing to see all the different theories that came back, like he’s saying this or he’s saying that. It’s purposefully ambiguous. I feel like no one’s caught it all yet. I guess I’m glad.

MR: You recorded this project with Aaron Parks, Matt Penman and Nate Smith. What did they bring creatively?

NF: Those guys are so brilliant in that they are these amazing improvisers but they also have this sense of the song being the most important thing at all times. We were a working band at the time and what I treasure about those guys is that you don’t have to explain to them what something’s about, they get it. They get that it’s a song and not just a bunch of chords on a page, or a bunch of melodies. That it is something much bigger than that. They really played that and put the music first which is cool.

MR: You started out loving the blues, your original heroes being Albert King and Stevie Ray Vaughan. Then that changed, evolved, into, I guess, a golden age for you, when you crossed into jazz. Was there a big, “Aha!” when you discovered jazz?

NF: It was a gradual, “Aha.” There are always those moments and that’s what we always look forward to finding when a door opens or a light bulb goes off. But usually, it’s more gradual. It’s just a gradual awakening to the possibilities and figuring out who you are. You get a little more clarity into yourself, which is the amazing thing. Music is a great feature

MR: You won the Berklee Guitar Department’s Jimi Hendrix Award and also you won a Billboard Scholarship for Musicianship and Academic Performance. How did you react to these achievements and did they affect your life creatively or personally?

NF: I couldn’t really take it too seriously, because like I said, music is this great feature and it’s very humbling to know. People can commend you and people can say you did well and that feels good obviously to see your hard work recognized. But we all know what we’re up against. We all know that music is endless. We all know that for everything you can do, there’s so many things you can’t do and really all we can attempt to do is tell our stories honestly and do our best to communicate the things we know that only we can share with people. Our own really unique personal stories. It was nice to be recognized and it always is, but it is really–is this music moving people, is this touching people, am I sharing something that’s special? So it never stops. You’re never like, oh okay, I made it, I’m done. It’s always going.

MR: How does the creative process work for you? Do you get together with the other musicians and then create from there? Are you on your own in a room? How does the music get out of you?

NF: It’s a combination of it all. I’ve tried all the different approaches that I can think of to create. Sometimes I write a lot on my guitar, often alone, and then I bring it to the guys and we revamp it. Sometimes I’ll sketch it all out on the computer with different elements. Maybe I’ll make the drumbeat first. It all depends. But I really do enjoy writing from the guitar, because I came up in the era of guitar. Big guitars and that rock n roll guitar sound of open strings and open chords. I felt like some of that was lost in jazz guitar because guitar players were trying to be horn players or piano players, which was great. I wanted to remember what it was like to still really be a guitar player but still play this improvised music that we love called jazz.

MR: That thing we love called jazz, what kind of state do you think it’s in right now?

NF: It’s in a state of evolution that’s kind of like everything around us. It has a lot to do with the recording industry and the changes within the recording industry. If you look around, people are like maybe this will work or what happens if I do this. So it is a creative time, it’s a time of experimentation, but some people are still sticking to tried and true formulas as a reaction to the uncertainty. There’s a mix of both, of avant-garde pushing forward and the reactionary clinging of the status quo and everything in between. I like to explore the grey areas. But I am also interested in what’s coming next. I think there is a lot of great, exciting music to be made.

MR: Is there anything out there musically where you’re so blown away it affects your own creativity? Do you have those kinds of experiences?

NF: Sure, I’m always looking forward to those experiences, so I’m always trying to find that thing that lights something up and inspires me. Sometimes it’s not through music and it’s through travel or something. But musically, I really enjoyed the latest Ryan Adams record. I thought that was just such a great example of a true record, when there are so few true records these days. Things are so marketed towards singles and I felt like he really made a statement with that and it was something that he did himself, in his own studio and self-produced. It sounded amazing. The care they put into that record was really amazing. He didn’t win a Grammy but he was nominated for many, which was a coup in and of itself. I thought that was really cool that he followed his vision and it paid off and he made a great record. I also like Father John Misty’s newest album and the one before. I think he’s pretty brilliant and very funny too. Doing cool things with production and really caring about it. You can really tell those guys really really care. That’s always good to see.

MR: Where do you see you going from here? What’s the game plan?

NF: Well, we’re improvising, right? So we don’t totally know, but I’m working on the next record, which is a continuation of a lot of these themes. It’s not going to be a huge departure from Golden Age because we have so much more material to mine there. Just bringing it forward with the guitar and jazz and this kind of music that’s inspired by songs and hopefully speaks to people. So I’m continuing in that direction.

MR: What advice do you have for new artists…emerging artists?

NF: For emerging artists, the best advice I can really think of is to just really believe in yourself. I could list all the terrible advice that I got over the years that I didn’t follow and that I’m really glad I didn’t, because its hard to teach someone not to follow advice. The best we can do as teachers, is to say this is what the mainstream is or this is the general practice. You want to give students information, but I think the most important thing any student can take away from that is, okay, let me explore this information and let me take what I like from it–I’m talking about in music and in the arts in general – and leave the rest and follow my own path. Every one of these emerging artists and ever individual that approaches music has some thing special to say. That can get lost if you are trying to say what someone else has already said. You have to sing your own song. That’s the only way to do it. You know that all the artists you love are influenced by other artists but they found a way to say their own thing in their own way. That’s the goal. To do that you have to take what you like and leave the rest. So my advice is to not always follow people’s advice and believe in yourself.

MR: Just curious, do you find that using those heavy gauged stings on your particular guitar affects your creativity as opposed to maybe using other kinds of guitars?

NF: Yeah, because I know that there are not a lot of other people that play that way. I have this old Mexican Stratocaster that I got when I was 13 with really heavy strings on it and I’m playing jazz indie rock hybrid on it. I know there’s not really anyone else doing that but it’s not because there’s no one else doing it that I did it. I just kind of happened. When someone told me I needed to get a new guitar I said, no I like this one and I’ll keep these strings on it because I like those. I like the way those sound. I love Stevie Ray Vaughan and he did that, but I don’t want to play that style of music necessarily. I just loved that sound. When I think about it, I realize it’s something unique so let me keep going with it and follow all my whims. Sometimes something good comes out of it and sometimes I have to say, maybe I’ll just do this one by the book. It’s a mix of respecting history and learning from the tradition of the music but also willing to say, oh screw it.

Tour Dates:
March 7 – Dazzle Jazz – Denver, CO
March 8 – Studio 222 – Fargo, ND
March 9 – Des Moines Social Club – Des Moines, IA
March 10 – Evanston SPACE – Chicago, IL
March 11 – Blue Whale – Los Angeles, CA
March 12 – Kuumbwa Jazz Center – Santa Cruz, CA
March 15 – Brick and Mortar – San Francisco, CA
March 16 – Jazz Alley – Seattle, WA

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ISABEL ROSE’S “NEVER SATISFIED”

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photo courtesy Isabel Rose

According to Isabel Rose…

“Thanks to the late great, Joan Rivers–who probably rolled over in her couture casket when she was snubbed by the Academy Award’s this year–red carpet shows have become cultural events in and of themselves, like the Macy’s Day parade or the Super Bowl half-time show. Judging from the copious twitter strings that allow the public to weigh in now, too, many people care more about watching the red carpet than they do about the actual ceremony that follows. As a reflection of American values, it seems that spectacle, taste and branding are eclipsing the creative accomplishments that got them there.

“Every artist who walks a red carpet today has to make a decision about what that moment will be used for: self-expression, self-exposure, political statement, branding, re-branding or all-of-the-above. Every artist who walks the red carpet today has to decide whom to please: their management, their studio, their stylist, their fans, their fans parents, their children, or–gasp–themselves.

“I decided to use my latest video, ‘Never Satisfied,’ as an opportunity to explore these themes of sartorial criticism vs. self-expression while simultaneously paying homage to those iconoclasts whose individuality has stamped an indelible impression in our collective consciousness. It was also exciting to take a song I recorded about a relationship and turn it into something with less victimization attached. It was empowering and liberating, and dare I say it, as much fun as running through a field of daisies buck naked with a glass of Chardonnay.”

website: https://www.facebook.com/IsabelRoseMusic

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A Conversation with Cyrille Aimée

Mike Ragogna: Cyrille, of course, I have to ask you…is it a good day?

Cyrille Aimée: Yes, it is a fast and urgent day! (laughs)

MR: Terrific! Okay, on It’s A Good Day, you visit standards as well as originals. How did this project come together?

CA: For this album, I really wanted to create a sound that was mine and mine alone. I tried to dig into who I was and what I wanted to share musically–growing up with gypsies and then coming to America to learn the American Songbook and then going to Brazil to do some records with Diego [Figueiredo]. I realized that there are a lot of things that are in me and so I kind of decided to put it all together into one sound using the guitar as the common thread throughout the album. I had a Latin guitar, a gypsy guitar, a jazz guitar, and it created an original sound because these 3 types of guitars were not meant to be together. For the songs, I like a lot of different kinds of music. I don’t like categories in particular. From Michael Jackson to Peggy Lee, I like it all. I just think of songs that make me feel good, remind me of something or that I like the lyrics to.

MR: Duke Ellington’s “Caravan” is one of the first songs you ever learned, right?

CA: Yes, I learned that with the gypsies.

MR: How did it feel coming back to the piece? How has it evolved within you over the years?

CA: Now I understand it more. First of all, when I learned it, I learned it phonetically. And I didn’t speak English as well as I speak it now. So, I guess it is the same with all of the songs from the American Songbook. At first I fell in love with them for their melody and their harmony. I came to America to study harmony and rhythm and improvisations and got deeper and deeper into the lyrics and what the songs actually meant. Now the lyrics are one of the most important things to me.

MR: Would you say with Michael Jackson’s “Off The Wall,” you are relating to those lyrics as well?

CA: Yes! I love the lyrics. It’s exactly as I see life, to not just follow everything, but follow your instinct and live off the wall.

MR: With the approach you took with this album arrangement-wise, it were as if there were “voices” employed by the various guitar instruments, like you were performing duets with virtual vocal artists using these instruments.

CA: Yes! But it’s not really “duets,” as there are more than two of us and more than two guitars but the guitar is definitely a voice to me. I love the guitar for so many reasons. First of all because I grew up around the gypsies and that is the instrument that they play and they use the guitar not just for its common role, but as a percussive instrument, because the drum set didn’t fit in the caravan (laughs). So they had to use a different instrument to make the percussive sound. I love the guitar because you can bring it everywhere and you can start a jam wherever you are.

MR: What is your musical evolution?

CA: Many different ways. My first memories of music are of my mother playing Dominican music in the house because my parents love to dance. They love to throw parties and dance, so there was a lot Latin music in the house. My father loved listening to classical music, but when I met the gypsies, that’s when I knew I wanted to make music as well. And then from the gypsies I discovered Ella Fitzgerald and then that got me into the American songbook. From there I got really into all the instrumentalists like Miles Davis, piano trios, and then I got into the Brazilian stuff because I met Diego. It’s still going on and I keep growing as a musician.

MR: With Diego, what are the dynamics when you guys are playing together?

CA: It really is incredible. The first time we met in 2007, I was the winner of the voice competition in Montclair and he was the winner of the guitar competition and a year later he contacted me via MySpace and asked me to come to Brazil to play some gigs. We had never played together, but I really wanted to go to Brazil, so I went and it was an instant connection. We realized there was something really strong in the music we played together and we could share many things because I have my French side that I brought into the duet and his Brazilian side that he brought, and we have the American songbook in common that we both really loved. It’s really special.

MR: You’re not easy to put into a genre because although you perform jazz, you have other influences. How would you define yourself as the artist you are now?

CA: I really don’t think too much about that. I just want to be happy. My main goal in life is to be happy. If I can make other people happy by doing what I love, then I feel like I’ve done everything in life that I’ve wanted. I just want to make people feel good and change people’s lives with music and that’s it.

MR: You were spotted by Stephen Sondheim and were in one of his productions. How did that come together, what is that story?

CA: It’s really different from what I used to do. It was a challenge and I love challenges. I learned a lot from it and I actually started taking acting lessons from that day on.

MR: How did he discover you?

CA: They contacted Lincoln Center looking for a jazz singer and that’s how they found me.

MR: Cyrille, what advice do you have for new artists?

CA: Keep following your dreams. Live “off the wall” (laughs) and as long as what you are doing is what you want to do, then it should work…if you are honest.

MR: Ideally, what would you want to do next?

CA: I want to do a lot of things–I want to act, I want to sing, and I want to meet new people!

Tour Dates:
February 28 – Portland Jazz Festival – Portland, OR
March 5 – BLU Jazz – Akron, OH
March 6 – Dirty Dog Jazz Cafe – Grosse Pointe Farms, MI
March 18 – Alvemia University – Reading, PA
March 26 – Bedford Hall – Kenosha, WI
March 27 – Lakewood Cultural Center – Lakewood, CO
April 10 – Stamford Center for the Arts – Stamford, CT
Entertainment – The Huffington Post
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Dating Shallow People

This article looks out how dating people who do not have anything to offer can be both frustrating and a waste of time. Sometimes in the dating world, it really is them, not you.
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This Is What Happened When Jay Z Met His Long-Time Impersonator Jay Pharoah

“SNL’s” Jay Pharoah met Jay Z and Beyonce at a party recently and revealed what they think of his spot-on impressions.
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‘Blurred Lines’ Trial: Motown Exec Wanted to Make Robin Thicke-Marvin Gaye Mashup

There were no celebrity piano performances on the third day of the “Blurred Lines” trial. But there was discussion of a mashup that never came…
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Ouch! 5 Injuries Real Women Have Sustained During Sex

Wine was poured, and girl talk had begun. But as my friend took her first sip, she winced. "My tooth," she cried. "It's been hurting for days—since [my husband] and I bonked heads in bed."…







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Why Prada’s Decorative High Ponytail Is the Evening Hair of Your Future

Prada high ponytail fall 2015

Clean skin, hair jewelry and . . . high ponytails? “It’s that strange Prada world where nothing is what it seems,” said the hairstylist Guido Palau, gesturing around the backstage area of the fashion house’s Via Fogazzaro space earlier tonight. He wasn’t kidding. Nearby, dozens of models floated by in the gravity-defying look—creating the slightly surreal feeling of having stumbled into a retro-futuristic pop concert. “There’s a fifties or sixties [quality] to it, but also something charming, young, strong. Miuccia Prada has a great talent for mixing everything up and making it feel modern.



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Photo: Monica Feudi / Feudiguaineri.com

Photo: Monica Feudi / Feudiguaineri.com

If the fashion designer was indeed issuing a prescient beauty statement, it might have sounded something like this: “Take more risks! Embrace your femininity! Enough with the bedhead already!” In a departure from the air-dried waves that have ruled the runways for the past few seasons, there was a girlish elegance that Palau was crafting at her request. After blowing it out to a glassy finish and securing it using Redken’s Stay High gel-mousse (out in April) and Fashion Work hairspray, he slid different variations of the fashion house’s glittering barrettes and colorful plastic hair pins—which riffed off the jeweled accents pinned to the lapel of a sherbet-colored shift dress or neat runway vest—into the hair. Paired with Pat McGraths “serenely beautiful faces,” which the makeup artist sculpted using soft pastel creams and a few swipes of brown mascara, the look seemed to herald a new take on evening beauty—one that promised to look as good with a candy pink, crop leg suit as it does with a quirky chartreuse party number. Why not give it a test run in Milan later this week?



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Photographed by Kevin Tachman

Photographed by Kevin Tachman

 

See the Prada fall 2015 collection:

Photo: Monica Feudi / Feudiguaineri.com

The post Why Prada’s Decorative High Ponytail Is the Evening Hair of Your Future appeared first on Vogue.

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This 2-Year-Old Sang The Most Adorable Version Of The National Anthem We’ve Ever Heard

Few celebrities have a stage presence as commanding as Trent Harris.

Trent is only 2 years old, and though he fumbled a bit with both the lyrics and the tune, he brought the house down when he sang the national anthem prior to a high school basketball game in New Jersey on Wednesday night.

In an email to The Huffington Post, Trent’s mom Jessica Harris said she used to sing “The Star-Spangled Banner” to Trent before bedtime. It partially explains his talent, particularly because he never practiced prior to his Wednesday performance save for a couple rounds on a karaoke machine his aunt and uncle bought him for Christmas.

The national anthem was Trent’s favorite song this past NFL season, Harris added, which was likely solidified by watching so many Cincinnati Bengals games. Trent’s dad, Chris Harris, is a long snapper for the Bengals.

After Jessica Harris shared a video of Trent singing the national anthem on Facebook, a friend who helps manage a local high school basketball team asked if he’d be interested in doing it at the next game. “I said, ‘Sure, with no expectations!'” said Harris, who explained that there was a backup plan in place in case Trent got cold feet.

When the time came for the adorable toddler to take the court, however, “Trent wasn’t nervous at all, and neither was his dad.”

Harris, on the other hand, said she “was shaking like a leaf,” then “cried a little bit when he strutted off the court.”

“We are just so crazy proud of him,” she added.
Comedy – The Huffington Post
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The Short Straw of Men’s Fashion

By Eric Huang and Steven Mazur, 2013 Venture for America Fellows

Fashion companies are constantly introducing new products and designs to keep up with modern trends. However, most fashion companies still build their clothing for the average person. Most men’s clothes are designed for the average man who is around 5’10”. While major retailers typically offer petite and plus size options for women, they offer only “big and tall” sections for men. Shorter men face an uphill battle when shopping and lack options from the clothing brands tailored towards them.

Take my own experience, for example. At 5’6″, I’m short. Because of my height, I dread shopping. Trips to the mall take hours and I often leave empty handed. Even when I find clothes, I always have to stop at my tailor on the way home. The entire process is frustrating, time-consuming, and expensive. My taller friends can generally find their clothes right away and don’t require alterations.

Since major retailers don’t offer “short and small” departments, shorter men typically have limited options:

1. Purchase Custom-made or Tailored Clothing: Shorter men must tailor most of the clothes that they purchase. Some items, such as shorts, polos, and casual button downs can’t be tailored at a worthwhile price. And custom-made clothing is typically too expensive.

2. Try Your Luck With Select Brands: Some brands offer certain products that can complement a shorter person’s build. However, these products are often hit-or-miss and there are limited options for shorter men.

There had to be a better way. Shorter men want to enjoy the same shopping experience that taller men do. Because of these challenges, I started Ash & Anvil, a clothing company for shorter men. Our first product — casual button downs — is designed specifically for this demographic.

Our Everyday Shirt fits perfectly in the collar, sleeves, and chest. It provides just the right length to be worn untucked and can be worn at the office or on the weekend. Take a look at the photo below to see a comparison between our well-proportioned design and a similar shirt from Ralph Lauren.

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We’re excited to launch a company that gives shorter men the positive shopping experience they deserve. All of our clothes will fit a shorter man right off the rack, saving countless hours at the mall and trips to the tailor. We hope that this will be a step in the right direction towards enriching the lives of shorter men by providing them with fashionable, no-hassle clothes.

 

2015-02-26-founderssmall.jpgSteven Mazur and Eric Huang are 2013 Venture for America Fellows who are using the VFA Innovation Fund and VFA Accelerator to launch Ash & Anvil this spring in Detroit. They are creating a better clothing experience for shorter men and recently kicked off their Indiegogo campaign to fund their initial product launch. Support their vision by contributing to their campaign.

 
Style – The Huffington Post
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New this week: Feb. 24 album releases


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Terrace Martin: ‘Everything Got A Little Bit Of Funk In It’

The producer and multi-instrumentalist on the Kendrick Lamar album he’s working on, Snoop and love.

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Heavy Rotation: 10 Songs Public Radio Can’t Stop Playing

February’s sampler includes new music from Courtney Barnett, MDNGHT, Matthew E. White and more.

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Thalassa Space Grows Up with Craft Beer, Live Music

Thalassa Space Grows Up with Craft Beer, Live MusicThe former pool hall will become a full bar, restaurant and live music venue by the end of the year. Berkeley's nightlife scene continues to evolve (and possibly mature), with the reconfiguration of the former Thalassa space as a music venue and craft beer garden. As a result, the 12,000 square-foot space, will transform from a pool hall into a full bar and full-service restaurant, with a large stage for live music and an outdoor beer garden with separate entrances for the restaurant and music venue. Berkeleyside reports that Alex Popov of Liquid Entertainment (the company in charge of the live venue) wants to create a "flexible space" for bands, DJs and special events, similar to setup at The Chapel in San Francisco.



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Kanye West: ‘Meeting Paul McCartney Was Like Meeting Ralph Lauren’

UPDATE: Following a few more questions from Lowe about West’s post-Grammy comments regarding Beck defeating Beyoncé for Album of the Year, Kanye publicly apologized to Beck via Twitter. “I would like to publicly apologize to Beck, I’m sorry Beck,” wrote West. His next tweets included an addidtional apology to Bruno Mars, because he “used to hate on him…
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Zedd and Selena Gomez First Met Because He “Had to Pee”

Selena Gomez, ZeddZedd has his bladder to thank for this one.

The EDM producer spoke to AMP Radio’s morning program in Los Angeles with host Booker to talk his brand new single, “I Want You To…


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ATK Grind Against The Machine 5

ATKingdom presents another Kick Ass Video in the "Grind Against The Machine" series. In this 5th edition, 10 gorgeous models are in for the ride of their lives as they attempt to out-fuck a sex-machine. Watch as Kierstin Koyote, Payton Simmons, Cali Hayes and 7 others, try to take on the biggest rubber cock that will fit inside of them. No holes are safe in this movie. Its an action packed, no-holds-barred, wall-to-wall, pussy fucking extravaganza!

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ATKingdom presents another Kick Ass Video in the "Grind Against The Machine" series. In this 5th edition, 10 gorgeous models are in for the ride of their lives as they attempt to out-fuck a sex-machine.

Stars: Cali Hayes

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Premiere: Kelly Clarkson Delivers On The Torch Song Front With ‘Tightrope’

Listen to the latest song off Kelly Clarkson’s ‘Piece By Piece,’ titled ‘Tightrope.’
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Aussie MC Remi Discusses His Music ‘Education,’ New Tunes & Mike Tyson

Remi Kolawole might just be the artist to prove Australia is more than a one hip-hop wonder. The charismatic 23-year-old MC (he performs as Remi) is…
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Come Hear What Our Grandmothers Had to Say About About Fashion Week

The looks that walk down fashion week's runways are all over the place, from beyond simple to whoa? what?. We started to wonder what our grandmothers would think of it all and through the magic…

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The Perpetual Bloom of the Flower Brooch, from the Pages of Vogue to Prada

Photo: Courtesy of Fabio Zambernardi

Today, Miuccia Prada, the modernist and avid vintage jewelry collector, accessorized her fall show with floral brooches. Sparkling or solid, they bloomed boutonniere-like from lapels of Easter egg–colored suits, and from the shoulders of beribboned dresses whose debutante prettiness was refreshingly upended by their brevity.

Seen out of context—say halfway down a tweed coat—and removed from their traditional suited-ladies-who-lunch context, these flower pins looked youthful and playful rather than mumsy. As an old favorite is reborn, we look back at some of the never wilting jeweled flower brooches that have appeared in Vogue.

 

The post The Perpetual Bloom of the Flower Brooch, from the Pages of Vogue to Prada appeared first on Vogue.

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15 Times Going ‘Gluten-Free’ Went Too Far

When a real-life food allergy becomes a trendy dietary fad, you just know some people are going to take it too far.

One upside to the popularity of gluten-free diets is that more foods are being made available for people with actual gluten intolerances. But gluten-free haircuts? Gluten-free tires? Gluten-free lap dances?! Where does it end, people?

Scroll down for 15 instances where the public backlash against gluten was taken in an entirely hilarious direction.

Comedy – The Huffington Post
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Lupita Nyong’o’s Pearl Oscars Dress Was Stolen

Forget the fashion police — call the real police, because Lupita Nyong’o’s pearl dress from the 2015 Oscars was stolen.

TMZ confirmed with law enforcement that the Calvin Klein dress, with an estimated value of $ 150,000, was stolen from Nyong’o’s hotel room at The London West Hollywood on Tuesday. A spokesperson for the Los Angeles sherriff’s department told Us Weekly that they are currently investigating the situation. “We are looking at every scenario; when the cleaners go to clean the rooms they do it with the door open so that’s a possibility,” the spokesperson said. “Currently we are still investigating, detectives are interviewing and looking for witnesses.”

And just in case you need a reminder of how gorgeous she looked in it, here’s a photo of Nyong’o wearing the custom-made gown on Sunday:

lupita nyongo

Style – The Huffington Post
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Netflix’s ‘House Of Cards’ Returns For 3rd Season

NEW YORK (AP) — Michael Kelly did everything he could to stay under the radar.

“For a year, I’ve had to keep everything so secret,” he said. “I feel awful for having to lie, but what else could I do?” So lie he did. And if you don’t know what he lied about, you might want to stop reading right here.

Kelly, of course, rode strong on Netflix’s political thriller “House of Cards” in its first two seasons as the sotto-voce psycho Doug Stamper, the glowering henchman to Francis Underwood (series star Kevin Spacey) in his rise from House Whip to vice president to POTUS.

But as Underwood schemed his way into the White House at the tail end of last season, an even more startling thing occurred: Stamper was bashed in the head with a rock by an assailant and left for dead.

Now it can be told: Stamper lives! And he, in Kelly’s staunch portrayal, resumes his driven, devilish mission as “Cards” unveils its 13-episode third season Friday on the Netflix website.

Stamper’s survival was a secret that, against all odds in this post-secret era, almost went the distance. A consensus held firm among the “House of Cards” faithful: Stamper was dead, with Kelly regrettably out of the series.

In Baltimore, where “Cards” was shooting its third season, Kelly had taken pains to wear a hat and contact lenses rather than his usual glasses when out in public, and if approached with the inquiry, “What are YOU doing here?” he’d explain, “I’m a producer” or “These are my friends I’m coming back to visit.”

That was then.

“To be able to speak freely! It’s been a year,” said Kelly over omelets with a reporter recently. It was his first chance to break his silence, his first chance to explain to “Cards” fans (whose gratitude that Stamper was alive might be unsettled by annoyance at having been misled) that his survival was no cheap trick.

When the scene was shot with Stamper unconscious on the ground in woods outside Washington, Kelly said he got clear directions: “You’re breathing. It’s very, very shallow breathing,” and he demonstrated his near-death status for his breakfast companion, complete with a microscopic twitch of an eye.

From February 2014, when Season 2 premiered, the secret held. That is, until Netflix let its own cat out of the bag. Just a few days after the chat with Kelly, Netflix inadvertently posted new episodes online in what it termed a “technical glitch,” very briefly but long enough for alert Web surfers to pounce, turning a leak into a social-media geyser.

As a handful of viewers glimpsed then, and everybody else can behold now, Stamper begins the season in a hospital battered and bruised and suffering from severe brain damage. He faces lengthy rehabilitation, a state all the more cruel for keeping him sidelined from his cherished role as the president’s right-hand man.

“He’s so different now from the character I played the first two years!” said Kelly. “But when someone suffers a brain injury, the variables of what can happen to that person are so vastly different. Playing him, I was more challenged than I’ve ever been as an actor.”

It was a bit more rudimentary when Kelly won the part.

“(‘Cards’ creator) Beau Willimon told me, ‘Here’s the deal: I don’t want to ever see you emote,'” Kelly recalled with a laugh. “I said, ‘OK, I can do that.'”

Born in Philadelphia, Kelly, 45, grew up near Atlanta and, after college in South Carolina, headed to New York and studied at the Actors Studio while making ends meet with jobs that ranged from waiting tables and construction to working in a consignment shop for high-end designers “where women brought in Hermes bags they no longer wanted.”

He landed roles in such films as “Man on the Moon,” ”Changeling,” ”Now You See Me” and “Man of Steel,” and the HBO miniseries “Generation Kill,” as well as being a regular on “Criminal Minds: Suspect Behavior.” This fall he will be seen in “Everest,” a historical action-adventure film in which he stars as Jon Krakauer opposite Josh Brolin, Jake Gyllenhaal and his “Cards” co-star Robin Wright.

He modestly described his career as a slow build, “little step by little step.”

But it was a giant step into “House of Cards” and the chilling anti-hero he brought to life. Meanwhile, Kelly’s own manner — animated, easygoing — is unexpected evidence of his skill for transformation.

“Every interview I’ve ever done, they say, ‘You SMILE!'” Kelly noted with amusement. “But you want to know the truth? That’s all I ever do. I feel so blessed to be doing what I do, it’s pretty easy for me to smile.”

____

EDITOR’S NOTE — Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore@ap.org and at http://www.twitter.com/tvfrazier. Past stories are available at http://bigstory.ap.org/content/frazier-moore

_____

Online:

http://www.netflix.com

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5 Signs He Might Be Wrong For You, Even If The Sex Is Great

Being in love is blinding and this can be ignorant bliss, or simply a poor choice when your goal is to find the right mate for you. Let’s be clear, finding your “one” may not be on your agenda yet, and that’s fine, but for those that are seeking true love, and lifelong compatibility, there are important things to consider outside of sexual attraction and “chemistry”. Future problems tend to be about avoiding those repetitive conflicts and disagreements that are rarely resolved.
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Robin Williams’ Daughter Honors His Legacy By Vowing To Continue His Charity Work

Robin Williams’ daughter, Zelda, is committed to honoring the late actor’s life in a beautiful way.

On Thursday, the “Today” show aired an interview with Zelda Williams, in which she talked about her father’s death and legacy. While the 25-year-old touched on a variety of details in her dad’s life, she emphasized his love for giving back.

He’s done charity as long as he had the wherewithal and the ability to do it,” she told “Today.” “That was what his favorite thing, other than comedy, really was.”

An enormous thank you to @tvkatesnow and the @todayshow, for allowing me the opportunity to raise awareness and help support one of Dad’s favorite charities, the @cafoundation. Also, thank you to the Noble Awards, for letting me honor Dad’s CAF triathlon teammates, Ironman Scott Tinley and Paralympian Rudy Garcia, and presenting them with a 50k donation to be allotted towards the endowment CAF is creating in my father’s memory. The Challenged Athletes Foundation is a non-profit that provides education, community support and the sports adaptive prosthetics/specialty wheel chairs not often provided by health insurance that allow those in need the ability to regain the sort of mobility most believe they’d never have again. Whether they’re veterans, children or adults, CAF does whatever they can to help them once more lead full, active lives. Dad did the 44 mile bike leg of the CAF triathlon with Rudy and Scott from 1998 until his health no longer allowed him to do so in 2009, and it meant the world to him. While I’m in no way capable (at least not yet ) of biking 44 miles, I will do everything else in my (decidedly less athletic) power to continue Dad’s legacy and support the charities he loved that I’ve watched first hand change thousands of lives. Thanks everybody ❤ (btw, if you TL;DR this, you’re a lazy bum! Ha ) fabulous hair and makeup by the lovebugs at @901too, and beautiful dress (and might I add, the comfiest ever) by @Prada

A photo posted by Zelda Williams (@zeldawilliams) on

According to her Instagram page, the 25-year-old will present a $ 50,000 donation to her father’s former triathlon teammates, Ironman Scott Tinley and Paralympian Rudy Garcia-Tolson, from the Challenged Athletes Foundation (CAF), a group with which Robin Williams frequently worked, that supports athletes with physical disabilities. The donation, which will be presented at Friday’s Noble Awards honoring humanitarians, will go toward a fund created by CAF in the late actor’s memory.

Zelda Williams also expressed her commitment to carrying out the work her father was so passionate about.

“I will do everything else in my (decidedly less athletic) power to continue Dad’s legacy and support the charities he loved that I’ve watched firsthand change thousands of lives,” she wrote on Instagram.

To learn more about the Challenged Athlete Foundation, visit their website here.

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Kanye West Says ‘Exclusivity Is The New N-Word,’ & 7 Other Amazing Quotes From His Zane Lowe Interview

Kanye West sat down for his second interview with BBC Radio 1’s Zane Lowe to talk about everything from his Adidas collaboration to having more children to classism to his relationship with Elon Musk. At one point, West could be heard crying after discussing Louise Wilson, a British fashion design professor who died last year. He also coined a new term — “the futch,” short for “future” — and dropped the best/ worst pick-up line ever: “Your egg my semen, we’re gonna change the world.” Here are the highlights:

On working with Adidas: “Everyone I talked to would try to level me, and there was this guy named Hermann Deininger, who was the head of Adidas — I say was because he passed away recently. I showed him what I shot in Qatar […] He believed I had something more than what my rap record was. He could tell. He knew. He made sure that Adidas deal got done.”

On exclusivity: “I want to apologize to everyone right now because I believe Season 1 [of his Adidas line] might still be in that upper price point and there’s still the word ‘exclusivity’ being thrown around. Exclusivity is the new n-word. Nothing should be exclusive. Everyone should have the opportunity to drink from the same fountain.”

On his new album: “I’m just working hard on it. It’s fun to work hard, and we’re being inventive and I’ve still got a lot of opinions and perspectives that I think are important and can be inspiring to people. ‘The College Dropout’ came out of a fight to want to rap. This new album’s coming out of a fight to want to design. […] It’s a joyful noise unto the lord. It’s still the struggle, but the beauty from the struggle. The song ‘Amazing Grace,’ coming out of the worst pain possible and making the most beautiful song possible. I want to perform ‘Only One’ as many times as possible. I can be vilified or misunderstood and I didn’t come here to be liked. I came here to make a difference. I’m not talking about this interview, I’m talking about life.”

On working with Paul McCartney: “We just make song after song after song after song after song. […] People think our first two singles don’t have drums but both of those are percussion instruments […] Meeting Paul McCartney is like meeting Ralph Lauren. The greatest of their field, period, of all time. […] The whole cadence was trap, as soon as Paul starts playing I start singing in trap. Fusion is the future. The mixing of ideas, the two lunch tables working together. Humanity, period, we’re one people.”

On classism: “The juxtaposition of the the front and second rows [of his fashion show] is fusion, is the glass shattering of the class system, which is the new racism. Class is the new way to discriminate against people, to hold people down, to hold people in their place based on where their kids go to school, how much money they make, what they drive, where they live and what type of clothes they have and how much they have in their account for retirement. To somehow say this person right here means more than this person. I know I tweeted, ‘Black lives matter,’ but all lives matter. My doorman is more important to me than any head of any company. He keeps us safe. My driver keeps us safe.”

On the Grammys: “The Grammys are definitely like an ex-girlfriend. As soon as you get in the car with them you wanna go right back home.”

On having more kids: “I’m practicing really hard. I try as many times a day as I can. Nori, this one is for you. You need a sibling.”

On Drake: “He’s delivering a level of product to humanity that is of high quality. I don’t have any advice for this young man, but what I can say is, ‘Run. Fly. Go as fast as you can. Don’t stop. Anytime I can be of any service, advice, beats, whatever you need, confidential design advice on the shoes you’re doing at the other company — anything we can collectively do to deliver more awesomeness to the world as a team.’ Not just me and him, us all.”
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Evil Angels: Asa Akira (Disc 2)

The marathon “Evil Angels: Asa Akira” stars the Asian beauty in nine scenes, displaying her many-splendored sexuality from the perspectives of nine different directors. Disc two contains 6 eye grabbing scenes!

Exotic, busty predator Asa Akira and cherubic blonde Lea Lexis are ready for a kinky lesbian date — on a rubber mat coated with a thick layer of stringy lubricant, for director Belladonna! These sensual sluts tongue-kiss and pleasure pussies while coated in sticky webs of clear goo! As they hump their sexy bodies together, Asa and Lea straddle each other’s face and rim assholes; they suck bare feet and finger rectums to gaping. The irrepressible ladies even penetrate pussy and anus with probing toes. This bizarre lovemaking session lasts until both girls are drenched in slime… and thoroughly satisfied.

Tattooed Asian beauty Asa Akira and tattooed Asian stud Keni Styles share sensual mouth kissing and passionate lovemaking. In a loft with a view of the city, he eats her shaved snatch and rims her cute butt. We see her tan-lined titties as she’s fucked on her back; straddling dick, she fingers the pretty anus at the center of her undulating, thong-lined crack. Slender Asa sits on Keni’s face. She moans and writhes through an intense doggie-style fuck and sucks dick pussy-to-mouth. The desperate, breathless session climaxes when Asa scoops his semen into her mouth and they kiss. Director David Aaron Clark’s scene from “Pure” is based on the real-life scandal depicted in the controversial “In The Realm Of The Senses.”

Asian goddess Asa Akira teases on the bed, preparing viewers for some sensuous POV cocksucking. Sporting sheer pink lingerie and bright pink lipstick, Asa opens wide for a massive, hard cock, letting stud Winston Burbank fuck her face to the back of her throat. She gives him juicy head until he blows his messy load into her open mouth. Asa drools his cum into a champagne glass and drinks it down! Next, this foxy fuck-face goes to work on director Jonni Darkko’s dick, gagging and deep-throating his shaft for another spermy reward.

Tattooed Asian ass whore Asa Akira and foxy, slender blonde Jessie Volt are horny for the colorful girl-girl ass-eating director Jay Sin loves. Jessie wears an enormous, white strap-on dildo. Asa kneels to perversely suck fake cock, then straddles Jessie’s lap and rides the dong. The pretty sluts lick and suck each other’s sweet pussy and open each other up with some slobbery, tasty analingus. Before long, the blonde slides her wide strap-on into Asa’s butthole. Jessie drools inside the resulting intestinal gape so that Asa’s dilated ass blows spit bubbles! Asa returns the favor, dildo-fucking and rimming Jessie’s rectum until both of these sluts are satisfied.

Slender, dominant Asian Asa Akira lifts her skirt to play with her pretty pussy and butthole, calling viewers “loser” and “dirty little bitch.” The kinky domme orders slave Vladi to clean her asshole in preparation for her big date. Asa plants her little rear on his mouth and he licks her bunghole excitedly. “All you’re good for is eating my ass,” Asa sneers, humping his face as he services her holes. After the date, Asa declares that she’s been well fucked, but her ass is sore. She plops her cheeks on Vladi’s face so he can clean and soothe her messy, used holes. “Stick your tongue in… scoop out all of that cum inside my asshole,” she demands. When the impudent slave asks for a drink of water, Miss Akira spits in his mouth.

Nasty solo action starring kinky Asian cutie Asa Akira: She wears latex lingerie, shiny red stockings and extreme, high-heeled fetish pumps. Asa strokes her bald pussy lips, which protrude from a slit in the rubberwear, and bends over to expose her solid ass. Crawling on the floor, Asa fucks herself with a clear glass dildo. Next, we see the slutty girl in front of a wall mirror, working on a huge rubber cock. She slides the big toy between her plump titties and swallows it nearly to the base. Finally, Asa masturbates with four fingers deep in her asshole — and licks her fingers clean.

Studio: Buttman

Stars: Winston Burbank, Vladi, Keni Styles, Asa Akira, Lea Lexis,

http://www.hotmovies.com/video/271130/Evil-Angels-Asa-Akira-Disc-2-/?vod=115371

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Who Needs Words? This Dad And Baby Had A Perfectly Good Chat Without Them

Why wait until your baby can talk to have a full-blown conversation?

This dad certainly doesn’t have a problem communicating with his 8-month-old baby girl, Violet. The two just lock eyes, babble, and appear to have a blast.

“It’s been a slow news week over here — Paul has been sick, Violet has been sick, and I’ve been doing the glamorous job of taking care of everyone,” Violet’s mom Leesha, who vlogs quite a bit, wrote in the YouTube description. “Violet finally is starting to feel better, so here’s a quick clip of her and Paul having a … conversation?”

Yep, that’s definitely a conversation.

H/T Right This Minute
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Gisele Bundchen And Tom Brady Celebrate Wedding Anniversary With Adorable Photos

Gisele Bundchen and Tom Brady have been married for six years and they celebrated their love Thursday by sharing some sweet photos.

Bundchen took to Instagram to post a photo from her 2009 wedding to Brady. In the photo, she wears a white gown and stands smiling next to the New England Patriots quarterback. She captioned the shot with: “Magical day! #tbt ❤️❤️❤️ Dia mágico!”



Brady posted a snapshot on his Facebook page, thanking his supermodel wife.



The couple married in a small, private ceremony in Santa Monica, California, on Feb. 26, 2009. In April of that same year, they held a second wedding in Costa Rica.

The two met on a blind date, and the former Victoria’s Secret Angel said she knew immediately that they were meant to be.

“I knew Tom was the one straightaway,” Bundchen told Vogue U.K. for the March 2015 issue. “I could see it in his eyes that he was a man with integrity who believes in the same things I do.”
Style – The Huffington Post
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Rosie Perez Admits Crush On ‘Fish In The Dark’ Co-Star Larry David

Stand back, Jennifer Lawrence! Larry David has a new young admirer. Enter Rosie Perez.

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The Friend Zone – Do You Want To Stay There?

It feels like the “friends’ zone” is just about the worst place you can find yourself, when you genuinely like someone. For those of us that are single, there is probably a buddy of sorts that you meet up for specific movies, a niche food, or some specific activity that despite possible compatibility and definitive availability remains platonic. Maybe it’s because of the belief that once you land in the zone, you have lost all chances of being a romantic option to the friend.
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Boogie, ‘Further’

Now, more than ever, young standard-bearers of West Coast rap complicate the default nihilism of their forbears with complex and often contradictory emotional content.

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Black To Comm, ‘Hands’

Marc Richter’s music curves in multiple planes. Fittingly, the surreal and oddly moving video for “Hands” does the same.

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‘Mad Men': Matthew Weiner Talks Midseason Finale, Music and Dream Sequences (Q&A)

The creator and showrunner tells THR about the surprising sendoff before the AMC drama’s final episodes: “I’m a person who frequently sees things that aren’t there. I don’t know if they’re as elaborate as that, but I don’t question the reality of the emotion.”
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Twitter CEO Talks Battling the Trolls

The Internet at large will be able to breathe another day now that the FCC has voted in favor of “net neutrality,” but Twitter CEO Dick Costolo knows the ultimate battle for the web is still being waged against an enemy far more vicious than the cable companies: The trolls.

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How To Get Away with Murder Finale: A Couple of Answers And So. Many. Questions.

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We’re still having a little trouble breathing after that rollercoaster of a finale. Actually, it was less of a rollercoaster, and more of a slow drive around the countryside…


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What Colors Are This Dress? Kim Kardashian, Miley Cyrus, Justin Bieber And A Bajillion Other Celebs Weigh In

A dress drove the entire internet to insanity. Do you see white and gold? Or black and blue?
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Taylor Swift Weighs In: Is This Tumblr-Famous Dress Black and Blue or Gold and White?

It was the debate heard 'round the world: Is this random dress photographed and posted to a Tumblr site black and blue or white and gold? Here's what happens when celebs weigh in… I don't…







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Is #TheDress Blue and Black, or White and Gold? 4 Stylish Solutions to #DressGate

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Have you ever confused black with navy? Ever had to ask a friend, or been totally confused by an online purchase that turned out to be a totally different shade than the one you’d thought you’d bought? Are you, at this very instant, holding a frock up under different lighting to suss out the difference?

Life hands us plenty of colorful optical illusions daily: And today, the internet served the click-frenzied population a supposedly confusing color situation on a hashtag-ridden silver platter—what we now refer to as #TheDress or #DressGate (see, we can’t even agree on that). It all started when one curious person posted a photograph of a bandage dress and asked via social media whether it was “blue and black, or white and gold?” The human eye is tricky. Tones become foggy. Lighting can be confusing. Perceptions can get altered. Tomato, tomato, potato, bandage dress. The whole event has been a baffling sartorial moment. Our readers may be up-in-virtual-arms, but don’t fret! We have come to you with the solution! Here, see four very stylish dresses that require no color questions asked—and even if they did, you’ll still look great, no matter the hue.​

The post Is #TheDress Blue and Black, or White and Gold? 4 Stylish Solutions to #DressGate appeared first on Vogue.

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Hell Is For Sale, And These Damned Artists Would Really Like Your Help Buying It

For the group that puts on an art show called “DAMNED: An Exhibition of Enlightened Darkness,” an abandoned church seems like an appropriate venue. But hosting in 5 acres of Hell is even more fitting.

DAMNED, which stages an annual visual arts show, masquerade and performances in Detroit, is hell-bent on raising $ 1,333,666 to purchase the holdings of Hell, Michigan, where members plan to build a performing arts center. They launched a Kickstarter campaign this week to help get the funds.

damned

What to expect in DAMNED’s version of Hell. Via Kickstarter.

The small town of Hell is a surprisingly popular destination (and excuse for puns) located 60 miles west of Detroit. Tourists can attend the annual Hearse Fest or Blessed in Hell motorcycle rally, marry in the Chapel of Love or get a “degree” from Damnation University (Damn U) — or just take their pictures in front of the town sign to prove they visited the underworld.

John Colone, who owns the holdings of Hell and is the unofficial mayor, announced Feb. 13 (a Friday, of course), that he was selling the property for just under $ 1 million — $ 999,666, to be exact.

Besides the 5-acre property, “university” and chapel, the Hell holdings include a souvenir store, an ice cream shop, a weather station, a post office, a mini golf course, the Gates of Hell and a canoe and kayak rental operation. Perhaps most lucratively, the merchandising rights to “Hell” and associated online pages for the town are also included in the listing.

The sale is being handled by real estate agent Rick Beaudin, who calls himself the “Pinckney Pirate”– and he has the hat to prove it. (Who else would you trust to sell Hell?)

DAMNED member Anthony DVS told WXYZ the group had been searching for an abandoned church or warehouse in the Detroit area for their venue. But, as the Kickstarter page notes, they couldn’t pass up this “divine opportunity.”

“So we ask you, the fine citizens of the world, to help us to unleash Hell 2.0 on Earth,” the Kickstarter page beckons. “There are no soul contracts to sign. No first-borns to give.”

Perks for top donations to the crowdfunding campaign include a chance to have your name “scribed ETERNALLY upon the walls of Hell 2.0″ and a personalized parking spot in Hell.

Some might think an outsider arts group has a snowball’s chance in hell of raising more than a $ 1 million by March 22. But you never know; the crowdfunding campaign raised more than $ 40,000 in its first few days with little publicity. And last we heard, Hell already froze over.

Comedy – The Huffington Post
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New Year Communications Guide

When communicating with others in the business world, be sure what you say and write has impact. Here are tips for both verbal and written communications.

Verbal Communication

• Speak clearly (don’t mumble) and loud enough (but not too loud), while standing or sitting up straight and looking your listener in the eye.

• Make a statement rather than asking a question. By the same token, don’t weaken your comment by following it up with remarks such as “Don’t you think?” or “Wouldn’t you agree?”

• Avoid disclaimers such as “I’m no authority, but . . .” and “I could be wrong.”

• Never answer a question with a question.

• Be aware that certain words and phrases detract from the power of your speech. For example, qualifiers such as “sort of” and “rather,” as well as other adjectives and adverbs, can weaken rather than strengthen your message, as in “I’m really sorry,” or “The program is super fantastic.”

• Avoid fillers such as um and ah. It’s better to have a pregnant pause.

Written Communication

• State what your letter or e-mail is about in the first paragraph, and use the person’s name in your salutation.

• Write the letter or e-mail from the reader’s point of view. That is, anticipate what the reader needs to know and answer any questions or concerns you think your letter or e-mail might bring up. In other words, give the reader as much information as possible about the subject of the letter or e-mail instead of leaving loose ends.

• Write the way you talk. In other words, don’t use multisyllabic words and complicated phrases in order to sound smart or important.

• Be specific, not cute or flippant.

• If dealing with a controversial subject, make sure you can defend your position and that your argument is relevant.

• Use active-voice verbs and strong action words, as in “I know that this plan is a good one” rather than “It is surmised that this plan would be good.”

• Keep your letter or e-mail brief and to the point. The more words you use, the less impact they will have.

• In the last paragraph, state your intentions: “I will call your assistant next week to set up a meeting that is convenient for you.” And make sure you follow up!

Lisa Mirza Grotts is a recognized etiquette expert, an on-air contributor, and the author of A Traveler’s Passport to Etiquette. She is a former director of protocol for the city and county of San Francisco and the founder and CEO of The AML Group (www.lisagrotts.com), certified etiquette and protocol consultants. Her clients range from Stanford Hospital to Cornell University and Levi Strauss. She has been quoted by Condé Nast Traveler, InStyle magazine, the Los Angeles Times, and the New York Times. To learn more about Lisa, follow her on www.Twitter.com/LisaGrotts and www.Facebook.com/LisaGrotts.
Style – The Huffington Post
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Policlips Now: The Best Stuff You Didn’t See Live This Week In 2 Minutes

In this week’s edition of “Policlips Now,” we’re highlighting the best political clips you may have missed while you were working.

Whether it was Sen. Ted Cruz’s (R-Texas) crude Bill Clinton joke during CPAC, or a senator throwing a snowball on the Senate floor, we’re rewinding the must-see happenings in politics.

Watch the video above.
Comedy – The Huffington Post
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Not to Prime Is a Crime: 5 Primers, 5 Ways

Priming is an essential step in any makeup routine. Not only is it great for your skin, but it is necessary in ensuring your makeup stays flawless from dawn till dusk. Primer prepares skin for makeup application by creating a smooth, perfect surface for product to grab onto for longer-lasting, natural looking wear. This barrier between your skin and your makeup protects you from clogged pores, helps minimize fine lines and acne scaring, and can even temporarily eliminate the appearance of dark spots.

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There are a large abundance of products available to the average consumer which makes trying to pin point which primer to use pretty overwhelming. I’ve listed below each of the primers I offer from my own line, along with their benefits and application tips to make sure you know exactly what primer you should be using. Because no matter what, not to prime IS a crime!

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1) Mattifying Mineral Primer
Double-beauty duty! For those of you that are partial to mineral powders, this primer is for you. The powder preps and perfects skin before AND after foundation application! Use it first as a skin-prepping primer to blur imperfections and get your base ready for your makeup. Use it again after you apply your foundation as you would a translucent powder to increase the longevity of your makeup even more.

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2) Auto Pilot Pre-Foundation Skin Primer
My hero product! This primer is unlike other silicon based primers. It feels more like a moisturizer upon application (thanks to skin soothers like Vitamin E, Chamomile and Yarrow Extracts), keeping skin hydrated to allow your foundation a smoother landing.

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3) Auto Pilot Pore Minimizer & Mattifier
Minimize your pores! This primer contains silicone derivatives to reduce and refine pores. It can be used as a spot treatment or all over, leaving skin smooth as velvet. I recommend using it throughout the day to reduce shine!

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4) Auto Pilot Concealer Primer
Even concealer deserves its own primer. Eyes are the first area of the face to show stress, fatigue, and neglect. This primer was designed to not only keep concealer looking fresher and lasting longer, but it was formulated with light-reflective agents to take the focus off fine lines and wrinkles.

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5) Auto Pilot Radiance-Boosting Primer
Skin on the dry side? Need that extra boost of radiance? Use this glow-giving primer! It can be applied before or after your base for radiance that lifts and flatters.
Style – The Huffington Post
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Everything You Need To Know About #TheDress

Unless you were in a bunker on Thursday, you’ve heard the only story more viral than the llamas on the lam.

A photo of a dress — now trending on every social media site as #TheDress — left the world divided. Is it white and gold? Blue and black? Or, dare we say it, blue and brown?

the dress

We know the answer. Here’s what all the fuss is about:

An image of the dress was originally posted by a 21-year-old singer named Caitlin McNeill.

McNeill shared it with talent manager Sarah Weichel, who begged the question, “Is this dress white and gold, or blue and black? Me and my friends can’t agree and we are freaking the fuck out.”

It’s freaking blue and black.

the dress blue and black

Though you may not see it that way. Wired wrote a great piece outlining how our eyes deceive us, and the science behind The Dress.

Wired reports:

“What’s happening here is your visual system is looking at this thing, and you’re trying to discount the chromatic bias of the daylight axis,” says Bevil Conway, a neuroscientist who studies color and vision at Wellesley College. “So people either discount the blue side, in which case they end up seeing white and gold, or discount the gold side, in which case they end up with blue and black.” (Conway sees blue and orange, somehow.)

You can buy it.

The dress is by Roman Originals, and the company knows its garment is famous. Oh yeah, and the site describes it as “Royal Blue.”

the dress

Some still probably think it’s white and gold. That’s OK.

#TeamWhiteGold is still going strong on Twitter and Facebook. #TeamBlueandBlack is winning, though.

Yes, there are memes.

Because of course there are memes.

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The Dress’ poster has spoken.

McNeill told Business Insider that the whole experience has been odd, but she enjoyed the attention the dress received from celebrities:

“I thought my followers on Tumblr would maybe have a good reaction, but I never would have considered that Taylor Swift and Mindy Kaling would be tweeting about it,” McNeill said.

McNeill also says that the dress is blue and black. Debate over!
Entertainment – The Huffington Post
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Hot Tip Alert!

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4 Ways a Man Can Be More Assertive in Dating

The days of a man just pursuing his love interest, and her waiting for this to occur, have ended. Many women are active, if not aggressive in pursuing their needs and advocating for themselves. That said, passivity is still not sexy, and despite possessing the skill set to do so, most women do not want to be the pursuers.
Relationships:Dating Articles from EzineArticles.com

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Watch Mary Poppins Sing Death Metal

In every job that must be done, there is an element of death. You find the death and — SNAP — the job’s in flames. Or something like that! Yesterday (Feb. 24) a pretty awesome death metal version of the Mary Poppins song “Supercalifragilisticexpialidocious” hit YouTube, imposed perfectly over the scene from the classic film.
News, reviews, interviews and more for top artists and albums – MSN Music
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Ed Sheeran wins best British record at top UK music awards

Ed Sheeran celebrates after receiving the British Album of the Year award at the O2 Arena in LondonBy Liisa Tuhkanen LONDON (Reuters) – The top British music awards went to young men on Wednesday as Ed Sheeran and Sam Smith bagged the most important trophies in a star-studded Brit Awards show in London. English singer-songwriter Ed Sheeran was the biggest winner of the night, walking away with two of the four Brit Awards he was nominated for. "I didn't expect it… It's been a very good year for British music", he said. Soul singer Sam Smith, who was nominated for five Brits and competed with Sheeran for the best album, topped off his recent four Grammy wins with a Global Success award and British Breakthrough trophy.



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Greg Hardy, the NFL’s Next Nightmare

Earlier this month, domestic violence charges against NFL defensive end Greg Hardy were dismissed, after prosecutors claim his accuser essentially disappeared. It was an odd, anticlimactic ending to a story that made national headlines, and though the Pro Bowler’s legal issues are behind him, he’s not in the clear just yet:…
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Robin Thicke Sang, Danced and Played the Piano During His Court Testimony in ”Blurred Lines” Trial

Robin ThickeThis is a new approach.

Robin Thicke took the stand on Wednesday in a Los Angeles court for his copyright trial against Marvin Gaye’s children, which will decide whether his 2013 hit…


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Kanye West’s New Song Will Be Stuck In Your Head ‘All Day’

Kanye West performed a new song called ‘All Day’ at the BRIT AWARDS on Wednesday.
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Carly Rae Jepsen Announces New Single ‘I Really Like You’

The long wait for new Carly Rae Jepsen music should soon be over. The Canadian pop singer has revealed she’s been working on new material, and she’s…
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These Are the Sex Moves That Changed Our Sex Lives Forever

Even if you're totally satisfied with your sex life, there's nothing wrong with wanting to kick it up a notch or two. So, if you're looking to enhance your own experience or try something new…







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Justin Bieber Totally Ignores This Woman’s Personal Space In Hilarious New Prank

Justin Bieber is back with his prankster ways, and this time he’s cozying up with a sweet old lady.

As part of Ellen DeGeneres’ new show “Repeat After Me,” the Biebs gets a bowling lesson from a precious old lady named Tish, who has no idea he’s getting instructions on what to say and do from host Wendi McLendon-Covey.

Tish handles the casual hug at the beginning well and even laughs it off when JB says she has a “nice tush.” She’s definitely had it though when Justin gets a little too touchy and personal, and she hilariously calls him out.

Oh, Biebs.

“Repeat After Me” airs Tuesdays on ABC at 8:30 p.m. EST.

H/T Teen Vogue

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Kim Kardashian Wears Risqué, Crocheted Jumpsuit To The BRIT Awards

Hole-y Kim Kardashian. The reality star stepped out in a black jumpsuit by Welsh designer Julien Macdonald for the BRIT Awards in London on Wednesday evening. The outfit certainly turned heads, leaving little to the imagination with a series of multi-sized holes all over the top.

Kardashian seems like the perfect person to wear the sexy design. The jumpsuit is from Macdonald’s Fall 2015 Ready-to-Wear collection. According to Women’s Wear Daily, he was inspired by “the power of Britain’s queens — and of strong women generally.”

The 34-year-old will be on hand to support husband Kanye West, who is performing at the show.

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Here Are The Best 3 Minutes Of YouTube History

A decade sure goes by fast when you’re watching viral videos.

To celebrate YouTube’s 10th anniversary, Luc Bergeron has compiled nearly 200 of the most memorable clips in a slam-bang mashup that’s about 3 minutes long.

From early favorites such as “Leave Britney Alone” to recent ones such as “Tiny Hamster Eating Tiny Burritos,” this quick tour is sure to please.

It might also remind you of the countless hours you wasted checking out dog, cat and baby videos, but that’s another story.

H/T Viral Viral Videos
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Rice Krispies Treat Designer Makes Fashion Way More Delicious

Move over, macarons. There is a new treat vying to hold the title of fashion’s most beloved dessert, and it’s of the Rice Krispies variety.

These are not just any ordinary Rice Krispies Treats, though. These are pieces of art made by Jessica Siskin, Food Artist and creator of Mister Krisp. Siskin, who left a job at Elizabeth and James after seven years to pursue making customizable Rice Krispies Treats full time, says the whole thing started by accident.

jessica siskin

“I don’t know how to cook, but Rice Krispies Treats are super easy. I would mold them into heart shapes whenever I made them, and one day a friend suggested we make a surfboard for a birthday party. When I realized food coloring could be added to the recipe, I had an overwhelming impulse to make a Rice Krispies Treat cheeseburger. That was the krisp that started it all,” she told HuffPost Style.

The treats, which range from adorable dogs to chic Chanel purses, take time, effort and some trial and error. “Through experience, I have developed a sense for the right amount of butter, marshmallows and cereal required to reach a desired texture. I then work very quickly — you only have a few minutes to mold them before they harden,” she said. Sometimes though, she added, it takes way more than a few minutes. “I did a cover of Harper’s Bazaar once that took over two hours.”

Her extensive background dates back to childhood (her mom is in the industry as well.) It’s really no surprise, then, that one of her favorite experiences has been meeting fashionable pup Toast. “I’ve had so many great opportunities, it’s hard to pick just one,” she said, adding, “I love dogs, so meeting Toast was very cool.”

@toastmeetsworld meets #misterkrisp. #toastmeetsworld

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Of course, the real question is if she has gotten sick of the sweet yet? “I will never get sick of Rice Krispies Treats,” she said. Siskin is officially a girl after our own hearts.

Mister Krisp typically requires about two weeks for a custom treat, and prices range between $ 50-$ 200 depending on size and complexity. Head to Mister Krisp to order.

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Style – The Huffington Post
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Theater: The New Play China Does NOT Want You To See

THE WORLD OF EXTREME HAPPINESS ** 1/2 out of ****
BROADWAY BY THE YEAR: 1915 – 1940 ** 1/2
VERITÉ * 1/2
FABULOUS! *

THE WORLD OF EXTREME HAPPINESS ** 1/2 out of ****
MANHATTAN THEATRE CLUB

Don’t expect a production of The World Of Extreme Happiness to play Beijing anytime soon. It should because this new drama by Frances Ya-Chu Cowhig cares passionately about that country and its many peoples, the varied ethnic groups and indeed countries subsumed into the idea of “China,” the peasants drawn to the big cities in hope and fear, the rising middle and upper class, the artistically rich culture and the crushing forces that have battered them all about. It’s an ambitious, lumpy, fitfully successful but very well-acted and fascinating work.

Sunny (an excellent Jennifer Lim) is unwanted and unloved. She’s a girl in a country where only boys have value and her father tosses the new-born Sunny into a bucket of pig slop. But Sunny keeps drawing breath and raising a racket and her mother can’t bear to finish the child off so Sunny is rescued. The family will pay a price under China’s one-child policy but an even worse price is paid when that mother dies giving birth — finally — to a boy Pete (Telly Leung).

Sunny grows up and heads to the city to work in one of those anonymous factories, the sort where peasants from the countryside commit suicide in despair after slaving away for years on end. Sunny dutifully sends money home, desperate to ensure a better future for her little brother. But still her dour father looks down on Sunny and does what he can to frustrate Pete’s dreams of a better life.

That doesn’t stop Sunny, who befriends a co-worker, takes a motivational class on her evenings off and plots and schemes for the ultimate goal: the chance to speak at the company’s big media event in the Great Hall of the People and thus secure an office job off the factory floor.

The Playbill handed out before the show included an insert that judiciously offers a rundown of various hot-button issues in China: that one child policy, the coal mines where Sunny’s father toils, the mania for self-help guides and gurus as well as a primer on the Monkey King, a folk hero that holds primacy in China and a character which Pete longs to perform in tea houses. (That’s how modest their goals can be.)

But it’s not necessary since the play itself tackles all these elements with aplomb, along with references to the disastrous Great Leap Forward and a lot more. Cowhig’s work is a little less sure-footed in the drama department: the many varied characters are vivid and real and specific, but the numerous plot strands are never tied together in a satisfying way, making the twists and turns feel like melodrama. Further, some switches feel too abrupt, such as Sunny’s rather cruel treatment of her father (James Saito) at one point. To us he just seems trapped in a backwards mind-set, albeit viciously so. Her gratuitous meanness seems mean of her rather than just desserts.

Luckily, the broad melodrama holds our attention and the cast is excellent. Much of the cast doubles and triples roles so effectively you may not even realize it. I’ll single out their best work, with Saito very good as that bitter father (his businessman is less developed as written). Joe Mei is good as her mother and factory friend, though that friend seemed oddly more Japanese in clothing and hair and such to the eyes of this gweilo. Francis Jue was fine as a cynical superintendent but excellent in the show’s best scene as Mr. Destiny, a self-help guru. Sue Jin Song is good as an ambitious pr executive, though her storyline feels the thinnest and least convincing.

For me, one-time Warbler Telly Leung was excellent in dual roles, mainly Pete. I’d gladly watch him perform stories of the Monkey King; indeed, his charisma lifted the show whenever he was onstage. But the one center stage almost the entire night was Jennifer Lim, who traveled a great deal emotionally as Sunny. She carried this world on her shoulders and made it look easy.

Director Eric Ting navigated the many and varied scenes ably enough, eliciting solid tech work from all the behind the scenes talent. Still, the play needed more focus and shaping by Ting and a dramaturge to unite its disparate elements. The dramatic finale with Sunny and Pete was an effective one. But it was an earlier scene that stayed with me most: it’s a scene where Sunny is opening up to Mr. Destiny in front of an audience paying to hear his canned words of wisdom. Spoofing media-genic self-help gurus is a cliche of course. Unexpectedly, thanks to Lim and Jue and the writing, Verité turned a moment of easy laughs into a surprisingly emotional one without ever over-selling the action. It’s a sign that when Cowhig consistently focuses her hunger for big subjects into genuine, character-driven scenes that the results will be far more than just “promising.”

BROADWAY BY THE YEAR: 1915 – 1940 ** 1/2
TOWN HALL

Broadway By The Year is a fixture of the theater scene, a chance for big Broadway talent and cabaret stars to join up-and-comers in an evening devoted to the Great American Songbook. The hook is that each evening is devoted to 25 years of Broadway. Created and hosted by impresario Scott Siegel, it’s a chance to sense a bit of the Great White Way’s changing styles as well as feast on some serious talent.

Of course, like any such endeavor, evenings featuring all sorts of singers is invariably a grab bag. This particular gathering was undeniably on the lesser side, given the high bar set by BBTY in the past. Some performers were out of voice, others off their game and so on. Yet even on an off night, the show passed pleasantly and numerous pleasures were to be had.

Danny Gardner was the star of this show: he goofed through Irving Berlin’s “Oh How I Hate To get Up In The Morning” (from 1918) alongside the chipper BBTY chorus, danced a hastily improvised number to “Pack Up Your Sins and Go To The Devil” that looked smooth as silk and paired nicely with his love Aleka Emerson on “The Varsity Drag.” Oakley Boycott (what a name!) goofed her way through “You’d Be Surprised,” delivering up a new singing style with almost every line. The relatively lightweight material in the teens and early ’20s suited performers like Boycott who knew to have fun with it. (The women, by the way, really stepped it up this evening in the outfit department; many of them looked smashing.)

Lumiro Tubo certainly looked lovely but her singing style is not suited to the getting-down or jazz possibilities of “St. Louis Blues.” The great Tonya Pinkins showed her how it’s done with “The Thrill Is Gone.” Hell, actress that she is, Pinkins had me in her grasp even during the musical bridge simply by the force of her presence.

Chuck Cooper charmed his way through “It Ai’t Necessarily So,” even though the song was burdened with a laboriously complex arrangement. And John Bolton — like others who shined best on this night — had the right daffy air when singing “It’s De-Lovely.” In contrast, the BBTY chorus (a group of up-and-comers Siegel has showcased/”discovered” in other productions) navigated an almost-too-complex arrangement on “Pack Up Your Troubles In Your Old Kit Bag” and pretty much pulled it off. They did even better with a straightforward delivery of “It’s A Lovely Day Tomorrow.”

Quieter highlights included Steve Ross gliding through “Say It With Music” and Maxine Linehan’s focus on the lyrics of “Smoke Gets In Your Eyes,” which brought that chestnut back to life for me. In the same way, the great Karen Akers was sterling on “Where Or When.” It’s no surprise when Akers delivers on a standard, of course. But I was thoroughly charmed by Josh Young, sounding very old school traditional in a good way on “All The Things You Are.” I knew him only from the rock vocalizing of his Tony-nominated turn as Judas in Jesus Christ Superstar (in which he was great). So I’d no idea if he could switch on a dime to classic balladeering and indeed he could. Young also looked smashing in his dapper, classy suit, making the upcoming musical Amazing Grace all the more worth anticipating. That’s Broadway By The Year at its best: showcasing legends with a chance to shine on great material while giving new talent the opportunity to display their versatility.

Finally, an invariable highlight is when singers forego microphones and sing unamplified. John Easterlin offered up “Someday” in the style of the day (specifically 1925), and milked every bit of applause like the seasoned pro he is. Then William Michals came out and slayed ‘em with “One Alone.” His gorgeous voice never needs speakers to reach the back of the audience but it’s his effortless delivery of the lyrics as if new-minted that makes Michals such a treat. (Sinatra similarly makes the emotions of each song transparent.) Later, Tony winner Emily Skinner did a fine “No, You Can’t Have My Heart” and then duetted with Michals on “It Never Was You.” In truth, their voices just didn’t blend well (who can predict vocal chemistry?) but any chance to hear Michals again is a delight. I’m still kicking myself for missing him in South Pacific and look forward to see him in full sometime soon. If you have the chance to see him in concert or in a musical, jump.

I’m already looking forward to the next edition on March 30; it covers Broadway’s golden age from 1941-1965. Sure, this was an off night, but if you can list six or seven memorable performances, enjoy the return of old friends and savor dashing new talent like Young, how off can it be?

VERITÉ * 1/2
LCT3

The set for Verité (designed by Andrew Boyce) is serviceable but surprisingly plodding. It depends a lot on window blinds and every time the setting changes from say an apartment to a grocery store or an office into a hotel room, we watch as sets of blinds sloooowly raise or lower one at a time (never all at once, god knows why) and then maybe a grocery store shelf timidly slides out and then a sofa pulls back out of sight and so on. It’s like a magic trick slowed down so you can observe how it’s done. More to the point, it mirrors the oddly tepid plot of this dark comedy which takes forever to get going and then goes precisely nowhere. Nowhere until the last moment, that is, a moment that should have taken place ten minutes into the play rather than at the end.

The hook is certainly vivid and worthy of Nick Jones, one of the central writers and a co-producer on Orange Is The New Black. A struggling writer named Jo (the winning Anna Camp) has been laboring over a fantasy novel for many years, trying the patience of her prickly husband (Danny Wolohan, always good) and encouraged by her son (Oliver Hollmann).

No one else has given Jo’s labor of love the time of day until a boutique publishing house calls her in for a meeting. They love her “voice” but don’t care for the fantasy novel. So they’ll pay her $ 50,000 to write a memoir. A memoir, Jo wonders? But her life is so uninteresting. Well, what if they made it interesting? So that’s the vaguely out-there idea or perhaps the suggestion of an idea in this show: publishers searching for the next big memoir start playing god with an unknown writer’s life, throwing dramatic conflicts at her in an attempt to give her something to write about. One can easily imagine the possibilities: death, mayhem, robberies, hostages, disease, terrorists and so on. The sky’s the limit!

What actually happens in the play is very, very little. It takes ages for the (possible) premise to be set up — some of the tension is supposed to derive from wondering if our heroine is just paranoid and merely imagines the publishers are toying with her life for evil if lucrative purposes. Jo takes forever to decide whether to accept the deal, then agonizes over spending a week-long vacation at the beach, which certainly doesn’t sound dramatically promising. Finally, when an apparent friend from high school pops into view (Ebon Moss-Bachrach as Winston), she decides a-ha! An affair! The play is well into its second half before even this very modest dip into “drama” for our would-be memoirist surfaces. Half the time Jo plays it coy as to what is going on, while Jones stretches out the non-existent suspense over whether the publishers are genuinely interfering with her life or Jo is just nuts. (All I could think was, they better be or she doesn’t even have the makings of a magazine article, much less a memoir.)

Finally, finally (!) Jo throws caution to the wind (sort of) and heads to Latin America with Winston. She fantasizes he’s a drug lord though all he really seems to be doing is repairing refrigeration units in grocery stores and yet perhaps is at the same time an actor working for the publishers. Are you bored yet? Because the idea of publishers engineering an affair with a guy pretending to install refrigeration units is as nutty as the show gets until the actor goes off script in an unearned melodramatic twist.

The rug is sort of pulled out from under us as we go back and forth about what exactly is going on, right up to the end, which leaves little doubt. But long before we get there, we’ve given up caring.

Camp is appealing on stage, but no one could make such a bland, timid character come to full life. Moss-Bachrach is solid as the lover but he too can’t make sense of such a muddled premise. Wolohan is of course rock solid as her husband but in the play’s typical inability to commit or make things interestingly vague, he mutters nasty comments at her that seem utterly out of character. We never suss out whether this is her paranoid imagination or suppressed rage on his part. Jeanine Serralles has the thankless role of his sister, forced to wear jokey outfits and absurd spray-painted sneakers (all by Paloma Young) so we know she’s a brassy gal with trashy taste but certain to be loud and speak the truth. On the bright side, Hollmann has the best line of the show and is adorable even during the curtain call.

Matt McGrath and and Robert Sella are actually quite amusing as the Nordic publishers, but they seem to be acting in an alternate universe, with performances more akin to a Saturday Night Live sketch than the rest of the cast. Director Moritz Von Stuelpnagel doesn’t begin to mould all these ideas and acting styles into a coherent whole.

Without question, the kernel of an idea is here and Jones should have committed to it. If Jo had been offered this deal with the devil and seen it kick into high gear in the first ten minutes, perhaps a consistent tone and witty satire about our thirst for reality — however manufactured — could have been created. Unfortunately, it takes the entire length of the play just to get to where the story should have begun.

FABULOUS! *
TIMES SQUARE ARTS CENTER

I was both mildly dismayed and mildly inspired by Fabulous!, a silly gay romp of a musical with cross-dressing guys on the lam, sailors who are twinkie and twinkly, closeted movie stars, gangsters and enough romantic possibilities to fill a cruise ship. It was exactly the sort of nonsense I was in the mood for.

Since the show had enjoyed a limited run and come back for an open-ended one, savvy theater-goers might rightly assume it would at least be a cut above the average. You keep expectations low Off Off Broadway but hey, you never know.

Sadly, the material at hand is simply deadly, with book and lyrics by Dan Derby and music by Michael Rheault all quite unmemorable. It’s the sort of show you might see at a fringe festival and then forget five minutes after it was over. With technical elements under a very modest budget, I’d single out the costumes of Maya Graffagna as doing the most with the least. The sets and so on might have been charmingly low-rent if the story had held our attention. It didn’t and was, to say the least, uninspiring.

And yet, despite not being remotely ready to recommend the show, I did find the give-it-their-best attitude of the cast rather inspiring. God knows it’s hard enough to make it in the theater. Actors dream of great material but must hungrily latch onto any actual role in an actual paying gig with glee. No, it may not be great but what are you gonna do?

The sailors are quite well cast as silly chorus boys (I chose Joel Libed as Sailor #3, as one will when the mind drifts) and like everyone on stage, they gave it their all. Rising above the script as best they could, Rebecca Kopec as the token closeted lesbian Sylvia and Michael James Valvo as her droll gay sidekick simply delivered these stock roles — cliches and all — as unapologetically as they could.

The show is retro to its core, but in a typical sign of flagging creativity, they made Sylvia an ugly, rejected figure at the end with lipstick smeared across her face after being rejected by the character she loves. At the show’s nadir, she kisses him and he almost throws up after their smooch. It’s an ugly caricature from a bygone era, the sort of nasty stereotype best left in the past and one Derby should have risen above. To her credit, Kopec tackles it with gusto.

Kelsey Youmans and Alexander Price goof about with abandon in their gangster roles, though Steven Bidwell can’t really bring anything to the mild part of the lovelorn captain. Jonathan Grunert in contrast actually brings vim to his Rock Hudson knock-off, thanks to square-jawed good looks and a knowing ability to play it straight, the only way to make such a role work. I’d actually seek him out in other parts, as I would the two leads.

Tobias Young as Laura Lee sings very well and delivers his flat comic lines with enough gusto to even make some of them land. He’s appealing, as is DaWoyne A. Hill as Laura Lee’s partner in crime Jane Mann. The role makes no sense but by God Hill sings his big number with such determination to put it over you’d swear for a second he was singing “I Am What I Am” from La Cage Aux Folles. Far from it, but his commitment almost makes you forget that.

Why be so hard on a silly show with a silly plot and no desire to do anything but make you giggle? Because I love silly shows just as much as the next guy and know how precious they are when done well. Just because they look easy is no reason to go easy on those who fall far short. God knows the cast deserved something a lot more fabulous than Fabulous!

THEATER OF 2015

Honeymoon In Vegas **
The Woodsman ***
Constellations ** 1/2
Taylor Mac’s A 24 Decade History Of Popular Music 1930s-1950s ** 1/2
Let The Right One In **
Da no rating
A Month In The Country ** 1/2
Parade in Concert at Lincoln Center ** 1/2
Hamilton at the Public ***
The World Of Extreme Happiness ** 1/2
Broadway By The Year 1915-1940 **
Verite * 1/2
Fabulous *

_____________

Thanks for reading. Michael Giltz is the founder and CEO of the forthcoming website BookFilter, a book lover’s best friend. It’s a website that lets you browse for books online the way you do in a physical bookstore, provides comprehensive info on new releases every week in every category and offers passionate personal recommendations every step of the way. It’s like a fall book preview or holiday gift guide — but every week in every category. He’s also the cohost of Showbiz Sandbox, a weekly pop culture podcast that reveals the industry take on entertainment news of the day and features top journalists and opinion makers as guests. It’s available for free on iTunes. Visit Michael Giltz at his website and his daily blog. Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also available for free on iTunes.

Note: Michael Giltz is provided with free tickets to shows with the understanding that he will be writing a review. All productions are in New York City unless otherwise indicated.
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Madonna on Gaga: ‘People Like to Pit Women Against Each Other’

With the release date for Madonna's 'Rebel Heart' coming up fast (March 6!), the Queen of Pop is gracing the latest cover of Rolling Stone.
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KCRW Presents: Wolf Alice

Watch the North London four-piece showcase their tougher, grittier rock sound.

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Leaks and surprise albums: new ways of releasing music

Drake surprised the music world earlier this month by releasing the unannounced album "If You're Reading This It's Too Late."Earlier this month, Canadian rapper Drake set the internet abuzz with the release of an unexpected new album via SoundClound, complete with free unlimited streaming. The move echoes the surprise release of Beyoncé's self-titled record in 2013. The latest victims are of course Björk and Madonna, whose respective albums were recently leaked to the internet ahead of their official release dates. For her part, Björk decided to advance the release date of "Vulnicura," sharing the album in its entirety on iTunes.



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Watch Kanye West Debut Fiery ‘All Day’ at BRIT Awards

Kanye West debuted the official version of “All Day” Wednesday at the 2015 Brit Awards following the leak of numerous rough versions of the song since last August.

After Kim Kardashian-West presented the Global Success Award to Sam Smith, posing for a selfie with the show’s hosts Ant and Dec and demanding that…
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Bobbi Kristina Brown Remains in Coma After Suffering Seizures as Nick Gordon Admits He Is “Full of Anger”

Bobbi Kristina BrownIt appears Bobbi Kristina Brown’s recovery may have faced a setback this week.

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7 More Classic Childhood Cartoons We Wish Would Come Back This Year

With “DuckTales” and “Inspector Gadget” returning to TV, here are seven more classic cartoons we wish would make comebacks this year.
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With four nominations, newcomer pop group Sheppard is the best-placed act heading into the 2015 APRA Music Awards.
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Fall 2015’s Most Wearable Fashion Trends

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I’ll Always Love (And Like) You, ‘Parks And Rec’

Two summers ago, I took a trip to Seattle, Washington with my dad. We made a detour to Orca’s Island, a teeny-tiny, Stars Hallow-type town inches away from Canada and filled with, you guessed it, orca whales. We rented the bedroom and bathroom set of a secluded yellow house the two days we were there. As grounds for a horror story, the worst thing that could possibly happen happened: the TV set didn’t work.

We resorted to the ancient art of Netflix to satiate our entertainment needs. I watched some indie flicks while my dad snored on the other side of my headphones and the surf of the sea echoed just beyond my reach. I couldn’t sleep for some reason; because I was in an unknown place, because I was sharing a bedroom with my dad or perhaps, in the most logical instance, an Amy Poehler God was looking over me and telling me exactly what I needed that night.

This was the moment I began watching Parks and Recreation. Upon reflection, this background story sounds like some indie pop recollection of how I met my soulmate, and that’s exactly what I was going for.

Parks and Rec has always and will always give me a hometown feel and a craving for waffles and child-sized soft drinks. It will also always remind me of the coolness, calmness and contentment of a warm and windy summer night under foreign comforters that became my own when I realized what it means to have a favorite TV show.

Leslie Knope blossomed to be a character that I identified with more than any other woman of my time. She stayed up at all hours of the night to finish a political paper, make an iMovie montage about her new boyfriend, construct a gingerbread house for a friend or maybe just have a prayer circle for Madeline Albright. She knew how every emotion felt and could describe it all in a way that was undeniably complete and a fill-in-the-blank for the audience at the same time. She was the personified drummer beat within myself and I rooted for her happiness and her animation in all plot lines and campaign hurdles. She taught me first hand, how to be a strong woman: whether directly to my viewing eyes or in a thought at the back of my mind when I needed her most.

All the other characters were so integral to the series, as well. Literally. I still don’t know Jerry/Larry/Gary’s real name, Ann Perkins kept everyone alive, Ron Swanson built his life in a sleek canoe, Tom Haverford depicted how to make the proper banger playlist, April Ludgate taught us to question the positives, Andy Dwyer taught us to question the negatives, Chris Traeger practiced perfection, Ben Wyatt made all the calzones sizzle and the ladies swoon and Donna Meagle gave meaning to the hashtag and to the Treat Yo Self philosophy. Intermediate characters like Perd Hapley and Tammys One and Two (and so many more to search on a Wikipedia page) created a depth to the midwestern satire that goes unmatched in the television industry.

The series just ended, and I feel like I’ve graduated from some type of college where you can learn everything about life and politics. I know to value nature, local businesses, three-legged dogs and strong women (as if I didn’t already hold the last two in the highest regard). Amy Poehler taught me the power of a guest star as well as the tenacity of aim; both in career and personal aspects.

I love the intricate details of this show, which is usually how the best ones get remembered. I liked how not one cast member ever got divorced, or how the harshest tragedy was the death of a miniature horse (Bye, Bye, Lil’ Sebastian). Yeah, it was a comedy genre production, but it fought for so much more than laughs and giggles. Equality on all fronts, satirical knowledge on present-day America, striving for diversity in character that still united the script in a way that the 50 stars on the flag aim to accomplish everyday.

Within the seven seasons of Parks and Rec‘s reign, we saw the elegance and eccentricity of small-town, typical America. Encased in a setting where public service and local government curb the atmosphere, the audience is unexpectedly enraptured in a whole new plan to make lifelong friends, adventures, memories and swing sets. It turns the idea of government into something applicable to people at home while simultaneously making fun of them, which is exactly my life method for any type of success.

This show validated what I already knew to be true and understood me enough to smack me in the face when I needed it. You never knew if Michelle Obama would walk in a room, or if JJ’s Diner would close in an economic pinch. The Pawnee world is simplistic and ordinary, but within that ordinary world is an authentic bellyful of ideas, concerns and community to balance out any hint of the mundane.

To my dearest Leslie Knope and all of Parks and Recreation: I love you and I like you.

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14 Celebrities Who Have Gracefully Rocked Locs (PHOTOS)

Social media has been up in an uproar this week over the racially insensitive comments Giuliana Rancic made towards actress/singer Zendaya during Monday’s episode of E!’s “Fashion Police.”

The E! News co-host reviewed Zendaya’s Academy Awards look, which came complete with faux waist-length locs, and described the star as smelling like “patchouli oil…or weed.”

The television personality has since apologized — twice, at that.

Meanwhile, celebrities like Solange, have shared their support for the 18-year-old actress-singer.

That said, we’ve decided to highlight a list of notable figures who have effortlessly rocked the popular hair style proving that the beauty of natural hair has no limits.

Check out our list below.


Style – The Huffington Post
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